Literatura

knjige, disertacije, znanstveni članci

Abbott Djilda i Segermann Ephraim.

  • Gut Strings, Early Music, 4, 1976.,  430-437.
  • Strings in the 16th and 17th Centuries, Galpin Society Journal, 27, 1974., str. 48-73.

Agazzari Agostino,

  • Del sonare sopra’l basso con tutti li stromenti e dell’uso loro nel conserto. Siena: Flacini, 1607., faksimil Milano, Bolletino Bibliografico Musicale, 1933., prijevod u: Oliver Strunk, Source Readings in Music History: The Baroque Era. New York: Norton, 1965., 64-71.

Amos Charles Nelson, Lute practise and lutenists in Germany between 1500 and 1750, disertacija na sveučilištu University of Iowa, 1975.

Apel Willi, Die Notation der polyphonen Musik, Breitkopf & Härtel, Leipzig, 1962., standardno djelo u kojem je i poglavlje o tabulaturama za lutnju.

Arnold Donna, The lute music and related writings in the Stammbuch of Johann Stobaeus, disertacija na sveučilištu North Texas State University, 1981.

Baines Anthony, Fifteenth-century Instruments in Tinctoris’s ‘De Inventione et Usu Musica’, Galpin Society Journal, 3, 1950., 19-26.

Banks Jon.,

  • A new old repertory for lutes, Lute News 55, rujan 2000., 6-12.
  • A piece of fifteenth-century lute music in the Segovia Codex, The Lute 34, 1994., 3-10.

Barber Stephen, A six-course lute by Magno Dieffopruchar, The Lute 22/2, 1982., 47-53.

Baier Paul,

  • Right Hand Position in Renaissance Lute Technique, Journal of the Lute Society of America, 12, 1979.
  • Popratni tekst uz njegov CD Il Cavaliere del liuto. Musiche di Laurencinus Romanus.

Blackman Martha, A translation of Hans Judenkünig’s ‘Ain schone kunstliche underweisung, 1523′. Lute Society Journal 14, 1972., 29-41. Recenziju je napisala Uta Henning u istom časopisu br. 16, 1974. 70 i dalje.

Bletschacher Richard, Die Lauten-und Geigenmacher des Füssener Landes, Hofheim am Taunus, Friedrich Hofmeister, 1978., standardno djelo.

Boetticher Wolfgang,

  • Handschriftlich überlieferte Lauten-und Gitarrentabulaturen des 15. bis 18. Jahrhunderts, RISM (Répertoire international des sources musicales), vol. Bniii., München, G. Henle, 1978. Vidi osvrt i kritiku Douglasa Altona Smitha u Journal of the Lute Society of America 12, 1979. i Arthura Nessa u Journal of the American Musicological Society 34, 1981., 339.
  • Studien zur solistischen Lautenpraxis des 16. und 17. Jahrhunderts, disertacija, Berlin, 1943.

Bollini Alessandra, L’attività liutistica a Milano dal 1450 al 1550: nuovi documenti,

Rivista Italiana di Musicologia, 1986., objavljeno u: Fronimo 65, listopd 1988., 9-23.

Boquet Pascale, Méthode de luth renaissance, Pariz, Societé Française de Luth.

Bouterse, Curtis, Reconstructing the mediavel Arabic lute: A reconsideration of Farmer’s Structure of the Arabic and Persian Lute, Galpin Society Journal 32, 1979., 2-9.

Bresc Geneviève & Henri.

  • Il liuto e la spada: un ‘trovatore’ in Sicilia nel trecento,
  • Rivista Italiana di Musicologia 4, 1974., 37-47.

Brown Howard Mayer.

  • Instrumental Music Printed Before 1600: A Bibliography, Cambridge, Mass. Harvard University Press, 1965.
  • Sixteenth-Century Instrumentation: The Music for the Florentine Intermedii, Musicological Studies & Documents, vol. 30, Rim; American Institute of Musicology, 1973.
  • Embellishments in early sixteenth-century Italian intabulations, Proceedings of the Royal Musical Assosiation 100, 1973./1974., 40-83.
  • A Cook’s Tour of Ferrrara in 1529, Rivista Italiana de Musicologia 10, 1975., 216 i dalje.
  • Accidents and ornamentation in sixteenth-century intabulations of Josquin’s motets, u: Josquin des Prez, objavili Edward E. Lowinsky i Bonnie Blackburn, 475-522, London, 1976.
  • Instruments and Voices in the Fifteenth-Century Chanson, u: Current Thought in Musicology, objavio J. W. Grubbs, 89-137, Austin i London, 1976.
  • Fantasia on theme by Boccacio, Early Music 5, 1977., 324-339.
  • Trecento angels and the instruments they play, u: Modern Musical Scholarship, Stocksfeld, 1978., 112-140.
  • Emulation, competition, and homage: Imitation and theories of imitation in the Renaissance, Journal of the American Musicological Society, 1982., 1-48.
  • Catalogus: A corpus of trecento pictures with musical subject matter, Imago Musicae 1-3, 1984.-1986. i 4-5, 1982., 1-48.
  • The importance of sixteenth-century intabulations, Proceedings of the International Lute Symposium Utrecht 1986, objavili Louis Peter Grijp i Willem Mook, 1-29., Utrecht, 1988.
  • The trecento fiddle and its bridges, Early Music 17, 1989. 307 i dalje.
  • Bossinensis, Willaert, and Verdelot: Pitch and the conventions of transcribing music for lute and voice in Italy in the early sixteenth century, Revue de musicologie 75, 1989., 25-46.
  • Vinzenzo Galilei in Rome: His first book of lute music (1563) and its cultural context, u: Music and Science in the Age of Galileo, objavio Victor A. Coelho, 153-184., Dordrecht, 1992.

Bruger Dagobert,

  • Schule des Lautenspiels, Wolfenbüttel, 1926.
  • Alte Lautenmusik, u: Simrock-Jahrbuch 1, Berlin, 1928., 131-143.
  • Bachs Verhältnis zur Laute und Lautenmusik, u: Die Laute, 3. Jg., 1919./1920., 6-10.

Buetens Stanley,

  • Nicolas Vallet’s lute quartets, Journal of the Lute Society 2, 1969., 28-36.
  • The Meaning and Performance of Ornament Signs in English Lute Tablatures, Menlo Park, Musica Antiqua, 1991.
  • Method for the Renaissance Lute, Instrumenta Antiqua Publications, 1969. i 1973.
  • The Instructions o Alessandro Piccinini, Journal of the Lute Society of America, 2, 1969., 6-17.
  • Theorbo Accompaniments of Early Seventeenth-Century italian Monody.“ Journal of the Lute Society of America, 6, 1973., 37-43.

Burguete André, Die Lautenkompositionen J. S. Bachs. Ein Beitrag zur kritischen Wertung aus spielpraktischer Sicht, u: Bach-Jahrbuch, 1977., 63. Jg., 26-54.

Caffagni Mirko,

  • Il Chitarrone come strumento per il basso continuo ed esempi del Ms. M. 127 della Biblioteca Estense di Modena, In Secondo incontro con la musica italiana e polacca; Musica strumentale e vocale strumentale dal Rinascimento al Barocco. Bologna 29-30 settembre 1970., Bologna, Antiquae Musicae Italicae Studiosi, 1974., 117-51.
  • The Modena Tiorba Continuo Manuscript, Journal of the Lute Society of America, 12, 1979., 25-42.

Canguilhelm Philippe, Victor Coelho, Joë Dugot, Marion Challier & Dinko Fabris, ed. Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998. Pariz, Cité de la musique, 1999.

Caccini Giulio, Le nuove musiche (1602.). objavio H. Wiley Hitchcock. Vol. 9 iz Recent Researches in the Music of the Baroque Era, Madison Wisconsin, A-R Editions, 1970.

Cavallini Ivano, Richerche su l’intavolatura per liuto e tiorba di anonimo (Pesaro, Cons. G. Rossini, ms. b 14/7346), Quadrivivum, 19 / 2, 1978., 205-225.

Coates Kevin, Geometry, Proportion and the Art of Lutherie, Oxford, 1985.

Coelho Victor Anand,

  • The manuscript sources of seventeenth-century Italian lute music: A Catalogue raisonné, disertacija, UCLA, 1989.
  • The manuscript sources of the seventeenth-century Italian lute music. New York, Garland, 1994.
  • The reputation of Francesco da Milano (1497-1543) and the ricercars in the
  • Cavalcanti Lute Book. Revue Belge de Musicologie 50, 1996., 49-72.
  • Performance on Lute, Guitar and Vihuela. Historical Practice and Modern Interpretation, Cambridge, Cambridge University Press, 1997.

Coelho Victor,

  • Frescobaldi and the Lute and Chiarrone Toccatas of ‘Il Tedesco della Tiorba’, u: Frescobaldi Studies, izd. Alexander Silbinger. Durham, Duke University Press, 1987., 137-156.
  • The Chitarrone Toccatas of Johann Hieronymus Kapsberger, disertacija na sveučilištu University of California, Los Angeles, 1982.
  • G.G. Kapsberger in Rome, 1604-1645. New Biographical Data, Journal of the Lute Society of America 16, 1983., 103-133.

Corona-Alcade Antonio

  • The viola da mano and the vihuela: Evidence and suggestion about their construction, The Lute 24/1, 1984., 3-52.
  • Fray Juan Bermudo and his seven vihuelas, The Lute 24/2, 1984., 3-20. uključujući i faksimili i transkripcije svih sedam skladbi.
  • The earliest vihuela tablature: A recent discovery, Early Music 20, 1992, 594-600.

Court Suzanne Elizabeth

  • Giovanni Terzi and the lute intabulations of late sixteenth-century Italy, disertacija na sveučilištu University of Otago, Dunedin, New Zealand, 1988.
  • The Role of the Lute in Sixteenth-Century Consorts: Evidence from Terzi’s Intabulations, Performance Practice Rewiew 8/2, 1995., 147-170.
  • Structure, imitation and paraphrase in the ornamentation of Giovanni Antonio Terzi’s lute intabulations, u: John Steele, Liber Amicorum, objavio Warren Drake, 171-196, New York, Pendragon Press, 1997.
  • Giovanni Antonio Terzi’s Venetian Lute Books: fantasia, intabulation and the lute in ensemble, The Lute 40, 2000.

Craig-McFeely Julia, English Lute Manuscripts and Scribes 1530-1630, Oxford University, 1994. Ova se opsežna disertacija može kao PDF besplatno skinuti na homepagu Julije Craig ili Wayne Cripp’s Lute Page.

Cristoforetti Orlando

  • Introduction to Alessandro Piccinini, ‘Intavolatura di liuto, et di chitarrone libro primo’, reprint Firenca, 1983. Francuski prijevod sa ilustracijama koje se ne nalaze u talijanskom izvorniku pod naslovom Les Piccinini et l’evolution organologique du luth á la fin du xvie siècle, Musique Ancienne 19, 1985. 4-19.
  • Les Piccinini et l‘evolution organologique du luth a la fin du XVIe siecle, Musique Ancienne, 19, 1985.,4-20.

Cummings Anthony M., Gian Maria Giudeo, sonator del liuto and the Medici, Fontes Artis Musicae 38, 1991., 312-318.

Daniels Véronique i Eugen Dombois, Die Temporelationen im Ballo des Quattrocento – Spekulative Dialoge um den Labyrinthischen Rätselkanon ‘De la arte di ballare et danzare’ des Domenico da Piacenza, Basler Jahrbuch 14, 1990., 181-247.

Dart Thurston, The Cittern and Its English Music, u: Galpin Society Journal 1, 1948.

Dausend Gerd-Michael, S. L. Weiss, der bedeutendste Barocklautenist, u: Zupfmusik-Magazin, Heft 2, Reutlingen, 1984., 45-48.

Davis Walter, Thomas Campion, Boston, 1987.

Demović Miho, Glazba i glazbenici u Dubrovačkoj Republici od početka XI. do polovine XVII. stoljeća [Music and Musicians in the Ragusan Republic from the Beginning of the Eleventh to the Mid Seventeenth Century], JAZU, Razred za muzičku umjetnost, Zagreb, 1981., 90 i 235.

Dombois Eugen M., Die Temperatur Hans Gerles auf der Laute (1532), Basler Jahrbuch für historische Musikpraxis, II/1978., Amadeus Verlag ,Winterthur.

Dorfmüller Kurt,

  • Studien zur Lautenmusik in der ersten Hälfte des 16. Jahrhunderts, München/Tutzing, Hans Schneider, 1967.
  • Die Edition der Lautentabulaturen, u: Musikalische Edition im Wandel des historischen Bewuβtseins, izd. T. Georgiades, Kassel-Basel-Tours-London, 1971., 189 i dalje.

Dugot Joël,

  • Some lutes in Paris museums, Journal of the Lute Society of America 16, 1983., 27-56 i 17-18, 1984./1985., 53-105. Vidi također njegove članke na francuskom jeziku Luth dans les collections de musées parisiens, Musique ancienne 14, 1982. 29-49 i Description des luths de la collection du Musée du C.N.S.M. II, Musique Ancienne 16, 22-74.
  • Parcours, détours, et pièges, Imago musicae 4, 1987., 239-254.
  • La musique de luth en éditions modernes, Pariz, Société Française de Luth, 1992.
  • Un nouvel exemplaire de vihuela au musée de la musique? u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, objavio Philippe Canguilhem, 307-317., Pariz, Cité de la musque, 1999.

Eberlein Roland, The Faenza Codex: Music for Organ or for Lute Duet?, Early Music 20, 1992., 460-466. Opovrgnuo Timothy J. McGee u istom časopisu, 466-468.

Edwards David, Dürer’s drawing ‘Angel with lute’, Lute Society Journal 18, 1976., 43 i dalje.

Eichberg Hartwig i Thomas Kohlhase,

  • Werke für die Laute, u: Johann Sebastian Bach, Neue Ausgabe sämtlicher Werke – Serie V – Band 10. Einzeln überlieferte Klavierwerke und Kompositionen für Lauteninstrumente, Bärenreiter Kassel-Basel-London, 1982.
  • hrvatski prijevod: Johann Sebastian Bach – Djela za lutnju,  Serija V – Svezak 10, Antun Mrzlečki, vlastito izdanje sa pismenom dozvolom za objavljivanje izdavačke kuće Bärenreiter.

Eichmann Ricardo, Zwei Schalen-Spiesslauten aus einer spätzeitlichen Nekropole bei Aubisir el-Meleq, Jahrbuch der Berliner Museen 29/30, 1987./1988., 7-36.

El-Mallah Issam, Die pass’ e mezzi und saltarelli aus der Münchner Lautenhandschrift von Jacomo Gorzanis. Dva vol. Tutzing, Hans Schneider, 1979.

Eubank Lee Eugene, Spanish intabulations in the sixteenth century, disertacija na sveučilištu Indiana University, 1974. Naslov implicira opći pregled, no autorovo je žarište musica ficta.

Falkenstein Richard Keith

  • The Lute Works of Pierino degli Organi. Magistarski rad na sveučilištu State University of New York at Buffalo, 1987., sadrži transkripcije svih poznatih skladateljevih djela.
  • The late sixteenth-century repertory of Florentine lute song, disertacija na sveučilištu State University of  New York at Buffalo, 1997.

Fallows David, 15th-century Tablatures for Plucked Instruments: a Summary, a Revision, and a Suggestion, Lute Society Journal 19, 1977, 7-33.

Farmer Henry George,

  • The influence of music: From Arabian Sources, Proceedings of the Musical Association 53, 1925.-1926., 89-124.
  • A History of Arabian Music to the XIII Century, London, 1929.
  • The structure of the Arabian and Persian lute in the Middle Ages, Journal of the Royal Asiatic Society, 1939., 41-51.

Farstad Per Kjetil, German Galant Lute Music in the 18th Century,

Göteborg, 2000., opsežna disertacija na sveučilištu Göteborg University, Dep. Of Musicology, Göteborg.

Fischlin Daniel T., The Highst Key of Passion: Inexpressibility and Metaphors of Self in John Dowland’s The First Booke of Songes or Ayres, Journal of the Lute Society of America 20/21, 1987./1988.

Fleischer Otto, Denis Gaultier, Vierteljahresschrift für Musikwissenschaft (VfMw) II., 1886. 1 i dalje, pionirski članak.

Flotzinger Rudolf, Die Lautentabulaturen des Stiftes Kremsmünster. Vol. 2 od Tabulae Musicae Austriacae, Beč, Böhlaus, 1965.

Frati Lodovico, Liutisti e liutai a Bologna, Rivista musicale italiana 26, 1919., 94-111.

Gargiulo Piero, Strumenti musicali alla corte medicea: nuovi documenti e sconosciuti inventari (1553-1609), Note d’Archivio 3 (novi stil), 1985., 55-71.

Gasser Luis, Vincenzo Galilei’s manuscript Libro d’intavolatura di liuto (1584): an introductory study, D.M.A. diplomski rad na sveučilištu Stanford University, 1991.

Geiringer Karl,

  • Vorgeschichte und Geschichte der europäischen Laute bis zum Beginn der Neuzeit. Eine ikonographische Studie, Zeitschrift für Musikwissenschaft (ZfMw)10. Jg., 1927./1928., 560-603.
  • Die Flankenwirbelinstrumente in der bildenden Kunst des 14. bis 16. Jahrhunderts, disertacija na sveučilištu u Beču, 1923., (Wiener Veröffentlichungen zur Musikwisenschaft 17), reprint Tutzing, 1979.

Giesbert Franz Julius, Bach und die Laute, u: Mf., 25. Jg., 1972., Kassel, 1973., 485-488.

Gill Donald, Vihuelas, violas and the Spanish guitar, Early Music 9, 1981., 455-462.

Glixton Jonathan, Lutenists in Renaissance Venice: Some notes from the archives, Journal of the Lute Society of America 16, 1983., 15-26.

Godwin Joscelyn, Robert Fludd on the lute and pandora, Lute Society Journal (kasnije od 1982. The Lute.) 15, 1973., 11-19.

Göllner Marie Luise, On the process of lute intabulation in the sixteenth century, u: Ars Iocundissima: Festschrift für Kurt Dorfmüller, objavili Horst Leuchtmann i Robert Münster, 83-96, Tutzing, Hans Schneider, 1984.

Gombosi Otto,

  • Bakfark Balint, Elete es muvei, Budapest, 1935. Tekst na mađarskom i njemačkom jeziku još je uvijek važno biografsko vrelo.
  • Bemerkungen zur Lautentabulatur-Frage, u: ZfMw., 17. Jg., 1934., Leipzig, 497f.

Gómez Maricarmen, Some precursors of the Spanish lute school, Early Music 20, 1992., 583-593.

Gonzáles Carlos

  • Les luths du Museu de la Mùsica de Barcelone, Musique ancienne 19, 1985., 62-77.
  • Le luth en Espagne du xie au xivesiecle, u: Luths et luthistes en Occident, 249-270, Pariz: Cité de la musique, 1999.

Goy Françoise-Pierre, Christian Meyer i Monique Rollin, Sources Manuscrits en Tablature: Luth et Theórbe (c. 1500-c. 1800), Catalogue Descriptif, vol. I, Confoederatio Helvetica (CH), France (F). Baden Baden & Bouxwiller: Edition Koerner, 1991.

Goy Françoise-Pierre & Andreas Schlegel, Accords noveaux, Andreas Schlegel, The Lute Corner, Eckstr. 6., CH-5737 Menziken, 2011.

Grandis Lucio de, Famiglie di musicisti nel ‘500. I Piccinini: vita col liuto, Nuova rivista musicale italiana, 16, 1982.,  226-232.

Grame Theodore, The symbolism of the ‘ud, Asian Music 3, 1972., 25-34.

Griffiths John,

  • The ‘Vihuela’ Fantasia: A Comparative Study of Forms and Styles, disertacija na sveučilištu Monash University, Australija, 1984.
  • Berlin Mus. Ms. 400032 y otros nuevos hallazgos en el repertorio para vihuela, u: España en la Música del Occidente, Vol. 1, objavio E. Casares, i dr., 323 i dalje, Madrid, 1987.
  • At court and at home with the vihuela da mano: Current perspectives on the instrument, its music, and its world, Journal of the Lute Society of America 22. 1989., 1-27.
  • La Fantaía que contrahaze la harpa’ de Alonso Mudarra: estudio histórico-analítico, Rivista de Musicología 9, 1986., 29-40. Revidirana engleska verzija, Mudarra’s Harp Fantasia: History and Analysis, Australian Guitar Journal 1, 1989., 19-25.
  • Extremities: the vihuela in development and decline, u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, objavio Philippe Canguilhem i dr., 51-61, Pariz, Cité de la musique, 1999.

Guidobaldi Nicoletta, Réalité et symbolisme du luth dans les représentations de la Renaissance, u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, objavio Philippe Canguilhem i dr., 285-294. Pariz, Cité de la musique, 1999.

Haar James, Improvvisatori and their relationship to sixteenth-century music, u: Essays on Italian Poetry and Music in the Renaissance, 1350-16000, by James Haar, 76-99., Berkeley and Los Angeles: University of California Press, 1986.

Harmon Roger, Listeners in depictions of Orpheus and (?) Francesco da Milano, The Lute 36, 1996., 17-36.

Harwood Ian

  • A Fifteenth Century Design, Lute Society Journal 5 (kasnije od 1982. The Lute), 1960.
  • The Origins of the Cambridge Lute Manuscripts, Lute Society Journal 5, 1963., 32-48.
  • On the publication of Adrian Le Roy’s lute instructions, Lute Society Journal 18, 1976., 30-36.

Harwood Ian & James Tyler, Cittern u: The New Grove Dictionary of Musical Instruments, vol., 379-386. , objavio Stanley Sadie, London i New York, Macmillan, 1984.

Hellwig Friedemann,

  • Lute-making in the late 15th and the 16th century, Lute Society Journal 16, 1974., 24-38.
  • An example of lute restoration, Galpin Society Journal 23, 1968., 64-68.
  • The Morphology of Lutes with Extended Bass Strings,  Early Music, 9, 1981.,  447-454.

Henning Uta, The Lute Made Easy: A Chapter from Virdung’s Musica Getutscht (1511). Lute Society Journal 15, 1973., 20-36.

Heyde Herbert,

  • Musikinstrumentenbau im 15.-19. Jahrhundert: Kunst-Handwerk-Entwurf. Leipzig, 1986.
  • Produktionsformen und Gewerbeorganisationen im Leipziger Musikinstrumentenbau des 16. bis 18. Jahrhunderts, u: Der „schöne“ Klang, Studien zum historischen Musikinstrumentenbau in Deutschland und Japan, objavio Dieter Krickenberg, Nürnberg, 1996.

Heyde Herbert i Peter Liersch, Studien zum sächsischen Musikinstrumentenbau des 16./17. Jahrhunderts: Die Geigen-und Lautenmacher von Rendeck und Helbingsdorf, Jahrbuch Peters 2, 1979., 231-259 sa deset ilustracija i deset stranica sa crtežima.

Higgins R. A. i R. P. Winnington-Ingram, Lute Players in Greek Art, The Journal of Hellenic Studies 85, 1965., 62-71.

Hiller Johann Adam, Lebensbeschreibungen berühmter Musikgelehrter und Tonkünstler, Leipzig, 1784., reprint Leipzig, 1975.

Hoffmann-Erbrecht Lothar,

  • Der Lautenist S. L. Weiβ und J. S. Bach, u: Ars Musica, Musica Scienta, Fetschrift für Heinrich Hüschen, Köln, 1980., 246-254.
  • Der Lautenist Silvius Leopold Weiβ und Johann Sebastian Bach, u: Gitarre + Laute 6, 1987., 19-23.
  • Bedeutende schlesische Lautenisten der Barockzeit, u:Barock in Schlesien, Dülmen, 1981., 35-62.
  • Kratzereien und körnichter Geschmack. Silvius Leopold Weiβ oder die Kunst des Lautenspiels, u: Musik und Medizin, 14. Jg., 1981., 63-69.
  • Nur Silvius soll die Laute spielen, u: Schlesien, 1986., 31. Jg., 172-176.

Hoffman Klaus, Bach’s h-moll-Sonate für Querflöte und obligates Cembalo – ursprünglich ein Lautentrio?, referat prigodom kongresa „Silvius Leopold Weiss i njegovo vrijeme: europska glazba lutnje baroka“, Freiburg im Breisgau, 1992.

Holman Peter, New Sources of music by Robert Johnson, Lute Society Journal 20, 1978., 43-52.

Homolya István,

  • Valentine Bakfark, Lutenist  from Transylvania, Budapest, 1984.
  • Bakfark and Greff: Two names – one person, The Lute 24/1, 1984., 33-36

Horrix Chritoph, Studien zur französischen Lautenmusik im 17. Jahrhundert, Tübingen, 1981.

Hubell Leslie, Sixteenth-Century Italian Songs for Solo Voices and Lute, disertacija na sveučilištu Northwestern University, 1982.

Hulse Lynn, Francis and Thomas Cutting: Father and Son?, The Lute 26/2, 1986., 73 i dalje.

Inglefield Ruth, The Bernhard Jobin Lutebooks (1572-1573), Journal of  the Lute Society of America 8, 1975., 5-21.

Ivanoff Vladimir,

  • Das Lautenduo im 15. Jahrhundert, Basler Jahrbuch für historische Musikpraxis 8, 1984., 147-162.
  • Eine zentrale Quelle der frühen italienischen Lautenpraxis: Edition der Handschrift Pesaro, Biblioteca Oliveriana Ms. 1144, dva volumena, Tutzing, Hans Schneider, 1988.
  • Eros and death: the lute as a symbol in oriental and occidental art and music, u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, objavi Philippe Canguilhem i dr., 31-41, Pariz, Cité de la musique, 1999.

Jacobs Charles T., Melchior Neusidler: Intabulation and Transcription, Journal of the Lute Society of America 20/21, 1987./1988., 108-119.

Jefferey Brian,

  • Instrumentation in the Music of Anthony Holborne, Galpin Society Journal 19, 1966., 20-26.
  • Anthony Holborne, Musica Disciplina 22, 1968., 129-205.
  • The lute music of Robert Johnson, Early Music 2, 1974., 105-109.

Jensen Richard d’Arcambal, The Lute Ricercar in Italy, 1507-1517, disertacija na sveučilištu UCLA, 1988.

Jones Lewis, The Thibault Lute Manuscript: an Introduction, The Lute 22/2, 1982., i 23/3, 1983.

Junghänel Konrad, Bach und die zeitgenössische Lautenpraxis, Johann Sebastian Bachs Spätwerk und dessen Umfeld, Bericht über das wissenschaftliche Symposium anlässlich des 61. Bachfestes der Neuen Bachgesellschaft, Duisburg, 28.-30. Mai, 1986., Bärenreiter, Kassel, 1988.

Kanazawa Masakata, A comparative study of versions for lute, cittern, bandora and intrumental ensemble of compositions by Anthony Holborne, u: Le luth et sa musique II, objavio J. M. Vaccaro, 123-138, Pariz, CNRS, 1984.

Kinsky Georg, Alessandro Piccinini uns sein Arciliuto, Acta Musicologica, 10, 1938., str. 103-118.

Király Peter,

  • Some new facts about Vendelio Venere, The Lute  34, 1994., 26-31.
  • Some new facts about Vendelio Venere: Errata in The Lute 1994, The Lute 35, 1995., 73-75
  • Jean Baptiste Besard: new and neglected biographical information, The Lute 35, 1995., 62-72.
  • Lantjáték Magyarországon a XV. századtól a XVII. Század közepéig (Lute playing in Hungary from the fifteenth to the middle of the seventeenth century), Budapest, 1995.
  • Did lutemakers just assemble their lutes?, Lute News 53, travanj 2000., 8-9.

Király Peter & Vladimir Ivanoff, Bakfark, u: MGG, druga naklada, 1999: Personenteil, 2/44-50.

Kircher Athanasius, Musurgia Universalis sive Ars Magna Consoni et Dissoni in X. Libros Digesta, Rim: Corbelletti, 1650., faksimil Hildesheim: G. Olms, 1970.

Kirsch Dieter i Lenz Meierott,

  • Berliner Lautentabulaturen in Krakau, Mainz, Schott, 1992.
  • Rezension von S. L. Weiss: Sämtliche Werke für Laute, Bd. 1,u: Mf., 39. Jg., 1986., 188-190.

Klima Josef,

  • Laute und Lautenmusik in Europa, u: Österreichische Musikzeitschrift, 16. Jg., 1961., 529-537.
  • Silvius Leopold Weiβ. Kompositionen für die Laute. Quellen-und Themenverzeichnis als Ergänzung zur Arbeit Hans Neemanns Die Lautenistenfamilie Weiβ AfMf., Jg. 4, 1939., Verlag Wiener Lautenarchiv, Maria Enzersdorf bei Wien, 1975.
  • Das Jahrhundert der Barocklaute.Marginalien zur Geschichte der Laute, Sonderband, Wiener Lautenarchiv, 1984.

Klima Josef, Hans Radke,

  • članak: Silvius Leopold Weiβ, u: leksikonu MGG, Bd. 14 Kassel, 1968., Sp. 437-440.
  • članak :Weiβ u leksikonu 6. izd. New Grove, Bd. 20, London, 1980., 325,

Klöckner Dieter, Das Frolilegium des Adrian Denss, Köln, 1970.

Koczirz Adolf,

  • Der Lautenist Hans Judenkünig, Sammelbände der Internationalen Musikgesellschaft 6, 1904.-1905., 237-249.
  • Über die Notwendigkeit eines einheitlichen, wissenschaftlichen und instrumentaltechnischen Forderungen entsprechenden Systems in der Übertragung von Lautentabulaturen, u: Bericht zum III. Kongreβ der Internationalen Musikgesellschaft, Wien, 1909., Wien-Leipzig, 1909., 220-223.

Kosack Hans Peter, Geschichte der Laute und Lautenmusik in Preussen, Würzburg, Triltsch, 1935.

Körte Oswald, Laute und Lautenmusik bis zur Mitte des 16. Jahrhunderts. Unter besonderen Berücksichtigung der deutschen Lautentabulatur, Leipzig, Druck und Verlag von Breitkopf & Härtel, 1901., reprint Breitkopf & Härtel, Wiesbaden, 1974.

Prva disertacija o lutnji, pionirsko djelo muzikologije o lutnji.

Kwee Him Yong, A new source of Prelude 1 in Attaingnant’s ‘Tres Breve et Familière Introduction’, TVNM 21, 1968.-1970., 211-24.

Landau Hans-W. F., Johann Sebastian Bach und die Laute, u: Zupfmusik-Magazin, Heft 1, 38. Jg., Reutlingen, 1985., 5-8.

Lane Todd, The lute quartets in the Thysius lute book, Journal of the Lute Society of America 22, 1989., 28-59.

Layer Adolf,

  • Melchior Neusiedler, u: Lebensbilder aus dem Bayerischen Schwaben, vol. 5, München, 1956., 180-197.
  • Die Allgäuer Lauten-und Geigenmacher, Augsburg, Verlag der Schwäbischen Forschungsgemeinschaft, 1978.

Le Cerf G. & E. R. Labande, Les Traités d’Henri-Arnaut de Zwolle et de divers anonymes (MS B.N. Latin 7295), Pariz, 1932., 32-34.

Lesca Laurent, Antoine Francisque, joueur de luth et compositeur, Musique Ancienne 19, ožujak 1985., 45-56.

Lesure François, La facture instrumentale à Paris au seizième siècle, Galpin Society Journal 7, 1954., 11-52. Mnogo dokumentacije o padovanskim, venecijanskim, flamanskim i nekim pariškim lutnjama šesnaestog stoljeća.

Lesure François & Richard de Morcourt, G.P. Paladino et son ‘premier livre’ de luth (1560), Revue de Musicologie 42, 1958., 170-183.

Lesure François & Henry Vanhulst, izd. La musique, de tous les passetemps le plus beau – : hommage à Jean-Michel Vaccaro, Pariz, Klincksieck, 1998.

Lippert Jürgen,

  • Silvius Leopold Weiss – Lautenmusik auf der Gitarre, Teil 1 u. 2, u: Üben und Musizieren, Mainz, 1986., 451-456.
  • Thematische Strukturen im Lautenwerk von S. L. Weiss, u: Zupfmusik-Magazin 4, 39. Jg., Reutlingen, 1986., 125-131.

Lobaugh H. Bruce, Three German Lute Books : Denss’s ‘Florilegium’, 1594; Reymann’s ‘Noctes Musicae’, 1598; Rude’s ‘Flores Musicae’, 1600, disertacija na sveučilištu University of Rochester, 1968.

Lockwood Lewis, Pietrobono and the instrumental tradition at Ferrara in the fifteenth century, Rivista Italiana di Musicologia 10, 1975., 115 i dalje.

Lowburry Edward, Timothy Salter I Alison Young, Thomas Campion: Poet, Composer, Physician, New York, 1970.

Lumsden David, The Sources of English Lute Music (1540-1620), tri vol., disertacija na sveučilištu Cambridge University, 1957.

Lundberg Robert,

  • Sixteenth and seventeenth-century lute-making, Journal of the Lute Society of America, 7, 1974., 31-50
  • Historical lute constructions: The Erlangen Lectures, American Lutherie 12, 1987. i 13-16, 1988.
  • Historical lute construction: Practicum, American Lutherie 19-20, 1989.; 21-24, 1990.; 28, 1991.; 29-31, 1992.; 35-36, 1993. i 37-38, 1994. Bogato ilustrirana monografija i uputa za izradu lutnje jednog od najboljih poznavatelja izvornih glazbala. Knjiga, objavljena nakon njegove smrti, sadrži i njegova predavanja za vrijeme tečajeva o izradi lutnje u Erlangenu 1978.-1988., Tacoma (Guild of American Luthiers), 2002. Vidi GAL web-stranicu: (http://www.luth.org) za daljnje informacije.
  • In tune with the universe: The physics and metaphysics of Galileo’s lute, u: Music and Science in the Age of Galileo, objavio Victor A. Coelho, 211-239, Dordrecht, 1992.

Lüdtke Joachim, Die Lautenbücher Philipp Hainhofers (1578-1647), Abhandlungen zur Musikgeschichte, vol. 5., Göttingen, Vendenhoeck und Pupprecht, 1999.

Lütgendorff Willibald Leo von, Die Geigen-und Lautenmacher vom Mittelalter bis zur Gegenwart. Standardno djelo leksikonske vrste. Prva naklada: Frankfurt / Main, 1904., reprint 5./6. naklade (Ffm., 1922.) objavili Thomas Drescher, Tutzing, 1975. i Hans Schneider, 1990.

Lyons David, Lute, Vihuela Guitar to 1800: A Bibliography, Detroit, 1978.

MGG-2 Die Musik in Geschichte und Gegenwart, opsežna njemačka glazbena enciklopedija, drugo izdanje objavio Ludwig Finscher, Kassel i Basel, Bärenreiter, 1994.-1998., (Sachteil, vol. 1-9) i (Personenteil, vol. 1-12).

Malacek Anton,

  • Beiträge zur Geschichte der Wiener Lautenmacher im Mittelalter, Jahrbuch des Vereins für Geschichte der Stadt Wien 5/6, 1946./1947., 5-23.
  • Beiträge zur Geschichte der Wiener Lautenspieler, Jahrbuch des Vereins für Geschichte der Stadt Wien 13, 1957., 63-92.

Marpurg Friedrich Wilhelm, Legende einer Musikheiligen, Köln, 1786., reprint Frankfurt, 1980.

Marincola Federico, The instructions from Vincenzo Capirola’s lute book – a new translation, The Lute 23/2, 1983., 23-27.

Martinez-Göllner Marie Louise, Die Augsburger Bibliothek Herwart und ihre Lautentabulaturen, Fontes Artis Musicae 16, 1969., 29-48.

Marincola Federico, The Instructions from Vicenzo Capirola’s Lute Book – A New Translation, u: The Lute Society Journal 23, 1983.

Mason Kevin,

  • The Chitarrone and its Repertoire in Early Seventeenth–Century Italy,
  • Aberystwyth (Boethius Press), 1989. Per cantare e sonare: Accompanying Italian lute song of the late sixteenth century, u: Performance on Lute, Guitar; and Vihuela. Historical Practice and Modern Interpretation, objavio Victor Anand Coelho, 72-107., Cambridge, Cambridge University Press, 1997
  • François Campion’s Secret of Accompaniment for the Theorbo, Guitar, and Lute, Journal of the Lute Society of America 14, 1981., 69-94.

Mason W. E., The Lute Music of S. L. Weiβ, disertacija na sveučilištu Chapell Hill, N. C. 1949.

Mattheson Johann,

  • Das Neu-Eröffnete Orchestre, Hamburg, 1712.
  • Critica Musica, Hamburg, 1722.-1725., reprint Amsterdam, 1964.

May Jürgen, Georg Leopold Fuhrmanns ‘Testudo Gallo-Germanica’, Frankfurt am Main, 1992., disertacija na sveučilištu Universität Bonn, 1989. Vrlo dobar komentar i kompletna transkripcija u dva sustava.

McGee Timothy, Instruments and the Faenza Codex, Early Music 14, 1986., 480-490.

Meadors James, Italian lute fantasias and ricercars printed in the second half of the sixteenth century, disertacija na sveučilištu Harvard University, 1984.

Mersenne Martn, Harmonie Universelle. 3 vol., Pariz, 1635., faksimil Pariz, CNRS, 1963.. preveo Roger E. Chapman, Harmonie Universelle (1635); The Books on Instruments. The Hague, M. Nijhoff, 1957.

Meyer Christian,

  • Sebastian Virdung, Musica getutscht: Les instruments et la pratique musicale en Allemagne au début du XVIe siècle, Pariz, CNRS, 1980.
  • Contributions à l’étude des sources de musique de luth dans les pays germaniques au XVIe siècle, tri vol., disertacija na sveučilištu Université de Strasbourg, 1986.
  • Cinq danses inédites de Bocquet et de Vaumesnil, Musique Ancienne 19, ožujak 1985., 40-43.

Meyer Christian,

  • Sources manuscrites en tablature : luth et theorbe (c. 1500-ca. 1800) : catalogue descriptif, Baden-Baden, Editions V. Koerner, 1991-1999. V. 1. Confoederatio Helvetica, France. V. 2. Federal Republic of Germany. V. 3/1. Austria. V. 3/2. Czech Republic, Hungary, Lithuania, Poland, Russian Federation, Slovakia, Ukraine.
  • Eine Lauten-Unterweisung aus dem späten 15. Jahrhundert, u: Musik in Bayern 49, 1994., 25-33.

Minamino Hiroyouki,

  • Conrad Paumann and the evolution of solo lute practice in the fifteenth century, Journal of  Musicological Research 6, 1986., 291-310.
  • Sixteenth-century lute treatises with emphasis on process and techniques of intabulation, disertacija na sveučilištu University of Chicago, 1988.
  • The viola da mano in Renaissance Italy: A synopsis, LSA Quarterly 34/1.
  • Neapolitan (viola da mano) tablature, LSA Quarterly 34/3, 1999., 8-18.

Moe Lawrence, Dance Music in Printed Italian Lute Tablatures from 1507 to 1611, disertacija na sveučilištu Harvard University, 1956.

Morrow Michael,

  • Ayre on F-sharp string, Lute Society Journal 2, 1960., 9-12.
  • Fifteenth-century lute Music: Some Possible Sources, u: Le luth et sa musique II, objavio Jean-Michel Vaccaro, 31-33, Pariz, CNRS, 1984.

Mrzlečki Antun, The lute in Croatia, The Lute, The Journal of the Lute Society, Volume XLVI, 2006., 43-54.

Myers Joan, Performance practice indications in Emanuel Adriansen’s lute ensemble music, Journal of the Lute Society of America 2, 1969., 18-27.

Myers John, The Way of the Pipa, Kent, Ohio and London, England, Kent State University Press, 1992.

Neemann Hans,

  • Die Lautenistenfamilie Weiβ, Archiv für Musikforschung (AfMf) Jg. 4, 1939., Leipzig, 157-189.
  • Das Erbe Deutscher Musik, Frankfurt am Main, 1939.
  • Die Lautenhandschriften von Silvius Leopold Weiβ, u: ZfMw., Jg. 10, 1927./1928., 396-404.
  • Zur Bibliographie der Lautenkompositionen von S. L. Weiβ, u: Der Neue Pflug III, 1928., Wien, 1928., 75f.
  • J. S. Bachs Lautenkompositionen, u: Bach-Jahrbuch, 28. Jg., 1931., Leipzig, 72-87.
  • Von der alten Laute und ihrem Spiel, u: Deutsche Musikkultur, 1. Jg., Kassel, 1936., 147-158.
  • Laute und Theorbe als Generalbassinstrumente im 17. und 18. Jahrhundert, Zeitschrift für Musikwissenschaft, 60, 1934., 527-534.

Ness Arthur,

  • The Herwarth Lute Tablature Manuscripts at the Bavarian State Library, Munich: A Bibliographical Study with Emphasis on the Works of Marco Dall’Aquila and Melchior Newsidler, dva vol., disertacija na sveučilištu New York University, 1984.
  • Domenico Bianchini: Some Recent Findings, u: Le Luth et sa musique II, 97-111, Pariz, CNRS, 1984.
  • A letter from Melchior Newsidler, u: Music and Context: Essays for John M. Ward, objavila Anne Dhu Shapiro, 352-369, Cambridge, MA: Harvard University Press, 1985.
  • The Siena lute book and its arrangements of vocal and instrumental part-music, u: Proceedings of the International Lute Symposium Utrecht 1986, objavili Louis Peter Grijp i Willem Mook, 30-49., Utrecht, 1988.
  • The Sources of Lute Music, 1470-1799, neobjavljena skripta sa bibliografijom svih tiskovina i rukopisa lutnjističkih vrela. Vidi sažetiju verziju u: New Grove, “Sources of Lute Music”.

Neu Ulrike, Harmonik und Affektgestaltung in den Lautenkompositionen von Silvius Leopold Weiβ, disertacija na sveučilištu u Frankfurtu, Europäische Hochschulschriften, Reihe 36, Musikwissenschaft, vol. 141, Peter Lang Gmbh, Europäischer Verlag der Wissenschaften, Frankfurt am Main, 1995.

Neubauer Eckhard, Musiker am Hof der frühen Abasiden, Frankfurt am Main, 1965.

–          Der Bau der Laute und ihre Besaitung nach arabischen, persischen und türkischen Quellen des 9. bis 15. Jahrhunderts, Zeitschrift für Geschichte der arabisch-islamischen Wissenschaften 8, 1993., 279-378.

Newcomb Wilburn Wendell, Studien zur englischen Lautenpraxis im elisabethanischen Zeitalter, Kassel, Bärenreiter, 1968.

The New Growe Dictionary of Music and Musicians. 14 volumena, objavio Stanley Sadie, London, 1980. Velika opća engleska glazbena enciklopedija, koja također sadrži veliki broj najpoznatijih skladatela za lutnju i različitih vrela o lutnji

The New Grove Dictionary of Musical Instruments, 3 volumena, objavio Stanley Sadie, London, 1984. pruža također stručne znanstvene članke o lutnji i glazbalima iz porodice lutnje.

Newton Richard, Francis Cutting: A bibliography, Lute Society Journal 1, 1959, 38-47.

Nordstrom Lyle,

  • The Cambridge Consort Books, Journal of the Lute Society of America 5, 1972., 70-103.
  • The Lute Duets of John Johnson, Journal of the Lute Society of America 9, 1976., 30-42.
  • The English Lute Duet and the Consort Lessons, Lute Society Journal 18, 1976., 5-22.
  • A Lute Duet of John Dowland, Journal of the Lute Society of America 12, 1979., 43-47.
  • Review of Thomas Morley, First Book of Consort Lessons, objavio William Casey, Baylor University Press, 1982., u: Journal of the Lute Society of America 15, 1982., 87-91.
  • The lute in settings for consort, u: Proceedings of the International Lute Symposium Utrecht 1986, objavili Louis Peter Grijp i Willem Mook, 50-63, Utrecht, 1988.

North Nigel, Continuo Playing on the Lute, Archlute and Theorbo, London, Faber, 1987 i Bloomington, Indiana University Press, 1987.

Nurse Ray, Design and structural development of the lute in the Renaissance, u: Proceedings of the International Lute Symposium Utrecht 1986, objavili Louis Peter Grijp i Willem Mook, 101-112, Utrecht, 1988.

Nutter David, Ippolito Trombocino, cantore al liuto, I Tatti Studies 3, 1989., 127-174.

Ongaro Giulio, The Tieffenbruckers and the Business of Lute-makig in Sixteenth-century Venice, Galpin Society Journal 44, 1991., 46-54.

Orsini Chiara, Vincenzo Galilei, Fronimo 62, siječanj 1988., 7-28.

Osthoff Helmut, Der Lautenist Santino Garsi da Parma, disertacija na sveučilištu Universität Leipzig, 1922., Leipzig, 1926., revidiran reprint Wiesbaden, 1973.

Päffgen Peter,

  • Laute und Lautenspiel in der ersten Hälfte des 16. Jahrhunderts, Beobachtungen zur Bauweise und Spieltechnik, disertacija objavljena kao 95. svezak niza izdanja „Kölner Beiträge zur Musikforschung“,  Gustav Bosse Verlag Regensburg, 1977.
  • Päffgenov stručni časopis Gitarre & Laute, tijekom triju desetljeća izlaženja sadrži brojne članke o lutnji, njezinim skladateljima i recenzijama CD-a.
  • Besard Jean Baptiste: Instruktionen für die Laute, faksimil, Neuss, 1974.
  • Ein Newgeordent künstlich Lautenbuch …, Nürnberg, 1536., faksimil, Neuss, 1974.
  • Ein Artiches Lob der Lauten. Blüte und Niedergang von Laute und Lautenspiel im 16. Jahrhundert, u: Concerto, 1. Jg., Köln, 1985., 48-55.

Page Christopher, The 15th-century lute: new and neglected sources, Early Music 9/1, siječanj 1981., 11-21.

Palisca Claude, G. Mei (1519-1594), Letters on ancient and modern music to Vincenzo Galilei and Giovanni Bardi, Rim, 1960.

Parker Ian, The performance of troubadour and trouvère songs, Early Music 5, 1977., 184-207.

Pasqual Sandro, Laux Maler (c. 1485-1552), Lute News 51, rujan 1999., 5-15.

Pasqual Sandro i Ragazzi Roberto, Le radici del successo della liuteria a Bologna, Bologna, Florenus Edizioni, 1998., sadrži ponešto skraćenih engleskih prijevoda.

Pavan Franco,

  • Francesco Canova and his family in Milan: New documents, Journal of the Lute Society of America 24, 1991., 1-13.
  • Ex paupertate evasit: Francesco da Milano et sa famille, u: Le concert des voix et des instruments à la Renaissance, objavio Jean-Michel Vaccaro, 350-361, Pariz, CNRS, 1995.
  • Francesco da Milano (1497-1543), disertacija na sveučilištu u Milanu, 1997.
  • Alarme, Aarme! Suyvez la couronne, popratni tekst iz CD-a Paula Beiera  “Francesco da Milano, Intabolatura da leuto”, Stradivarius STR 33515, Milano, Stradivarius Records, 1999.

Perz Miroslaw, Z inventara Jakuba Freilicha, Muzyka 20, 1975., 99-100.

Pesci Marco, Lorenzo Tracetti, alias Lorenzino, suonatore di liuto, Ricercare 9, 1997., 233-242.

Photiades Constantin, Ronsard et son luth, Pariz, 1925.

Picken Laurence, The origin of the short lute, Galpin Society Journal 8, 1955., 32-42.

Pilkington Michael, Campion, Dowland and the lutenist songwriters, Bloomington and Indianapolis, 1989., to je prevenstveno vodič za pjevače.

Pohlmann Ernst, Laute, Theorbe, Chitarrone, Lilienthal / Bremen, 1977. Peto, prošireno i revidirano izdanje. Ova pionirska publikacija, koja ima nekih nedostataka, bila je dugo vrijeme jedini popis sačuvanih tabulatura (tiskanih i pisanih) i još je danas gotovo prijeko potrebna, jer sadrži kao jedina objavljeni popis sačuvanih lutnja, koji treba nadopuniti. No, Pohlmannovi bibliografski podaci i opisi glazbala nisu sasvim pouzdani. Pohlmann je cijeli svoj život radio na ovoj knjizi u vrijeme kada još nije bilo računala i interneta i sakupljao po knjižnicama u svijetu podatke o repertoaru lutnje. Knjiga se više ne tiska i ne može se naručiti, preostalo je samo nekoliko primjeraka kod izdavačke kuće Eres Edition, Lilienthal kod Bremena.

Polato Pier Luigi, Liutai veneziani nei secoli XVI, XVII e XVIII: ricerca documentaria nell’ Archivo di Stato di Venezia, Il flauto dolce 12, travanj 1985., 6-15.

Pope Isabel, La vihuela y su música en el ambiente humanístico, Nueva Revista de Filología Hispánica 15, 1961., 364-376.

Poulton Diana,

  • The Lute in Christian Spain, Lute Society Journal 19, 1977., 34-49.
  • The Early History of the Lute, Journal of the Lute Society of America 20/21, 1987./1988., 1-21.
  • John Dowland, London, 1972.
  • Graces of Play in Renaissance Lute Music, Early Music 3, 1975., 108-114.
  • An Instruction to Lute-playing, London,1961.

Poźniak Piotr,

  • Twórczość – Jakuba zwanego Polakiem na tle muzyki lutniowey XVI i XVII w, (Djela Jakoba, zvanog Poljak na polju glazbe za lutnju 16. i 17. stoljeća), disertacija na Jagelonskom sveučilištu, Krakov, 1981.
  • Jacob Polonais et Jacob Reys, u: Le luth et sa musique II, objavio Jean-Michel Vaccaro, 35-42, Pariz, CNRS, 1984.

Praetorius Michael, Syntagma musicum II. De Organographia, Wolfenbüttel 1619., faksimil objavio Willibald Gurlitt, Kassel, 1985.

Prizer William F., Lutenists at the court of Mantua in the late fifteenth and early sixteenth centuries, Journal of the Lute Society of America 13, 1980., 5-34.

Prusik Karl, Die Kompositionen des Lautenisten Sol. Leop. Weiβ, disertacija na sveučilištu u Beču, 1923.

Prynne Michael,

  • Die Laute, u: Musikinstrumente, objavio Anthony Baines, München, 1962., 174-182.
  • James Talbot’s Manuscript; IV: Plucked Strings, the Lute Family, Galpin Society Journal, 14, 1961., 52-60.

Radke Hans

  • Bemerkungen zur Lautenistenfamilie Gallot, Die Musikforschung XIII., 1960., 51-55.
  • Beiträge zur Erforschung der Lautentabulaturen des 16.-18. Jahrhunderts, u: Mf. XVI, Jg., 1963., 34-51.
  • Studien zur Lautenmusik, u: Mf. XXIII, Jg., 1970., 65-70.
  • War Johann Sebastian Bach Lautenspieler, u: Festschrift Hans Engel zum 70. Geburtstag, Kassel, 1964., 281-289.
  • Zum Problem der Lautentabulaturübertragungen, u: Acta Musicologica XVIII, Jg., 1971., Basel, 94-103.
  • Theorbierte Laute (Liuto attiorbato) und Erzlaute (Arciliuto), Die Musikforschung, 25, 1972., 481-484.

Ragossnig Konrad, Handbuch der Gitarre und Laute, Mainz etc., Schott, 11978., 22003.

Mnogo toga, o čemu vlada nejasnoća i o čemu se vode stručne rasprave, prikazuje se kao čvrsto znanje.

Reich Wolfgang, Die Dresdner Hofmusik zur Zeit von S. L. Weiβ, neobjavljeno predavanje povodom kongresa Silvius Leopold Weiss und seine Zeit, 1992. u Freiburgu.

Reichard Johann Gottfried,

  • Musikalisches Kunstmagazin 1. 3. Stück, Berlin, 1782., reprint Hildesheim, 1969.
  • Autobiographie, u: Berlinische Musikalische Zeitung, Nr. 71, 1. Jg., 1805., reprint, Hildesheim, 1969. 279-281.

Renault Michel, Éléments Biographiques, u: Œuvres Pour le Luth by Guillaume Morlaye, Pariz, 1980.

Rey Juan José, Ramillete de Flores Inedite per Vihuela, Il Fronimo 15, 1975., 15-23.

Reynaud François, Les luthiers tolédans au XVIe siècle, u: Tolède et l’expansion urbaine en Espagne (1450-1650), kongresni izvještaj, 39-48, Madrid, 1991.

Ripin Edward, A reevaluation of Virdung’s Musica getutscht, Journal of the Lute Society of America 24, 1976., 189-223.

Robinson John H., Hortus Musicalis Novus …, konkordancija Mertelove antologije iz 1615., objavljeno elektronski na LuteNet, veljača 1995.

Robinson John O.,

  • Ornamentation in Sebastian Ochsenkun’s ‘Tabulaturbuch auff die Lauten’, Journal of the Lute Society of America 15, 1982., 5-26.
  • Elias Mertel’s ‘Hortus Musicalis Novus’ and Progressive Tendencies in the Late Renaissance Lute Fantasia, Journal of the Lute Society of America 17/18, 1984.-1985., 26-41.

Robinson Thomas, The Schoole of Musicke: Wherein is Thaught, the Perfect Method, of True Fingering of the Lute, Pandora, Orpharion, and Viol de Gamba. London, 1603., faksimil Amsterdam, Walter J. Johnson Inc., 1975. Suvremeno izd. objavio David Lumdsen. Pariz: CNRS, 1971.

Romanillos José, The vihuela makers of Toledo, 1617, American Lutherie 32, 1992., 48-51.

Rooley Anthony & James Tyler, The lute consort. Music for three, four and five lutes together: A survey and a check-list of sources, Lute Society Journal 14, 1972., 13-24.

Rossi Franco, Il Liuto a Venezia dal Rinascimento al Barocco, Venecija, 1983. U dodatku je popis glazbe za lutnju objavljene u Veneciji od 1507. – 1650. godine sa naslovima pojedinih skladbi i nalazištem u knjižnicama koje posjeduju kopije.

Ryding Erik S., Collaboration between Campion and Rosseter?, Journal of the Lute Society of America 19, 1986., 3-20.

Sach Curt, Handbuch der Musikinstrumentenkunde, Leipzig, 1920.

Sage Jack, A new look at humanism in the 16th-century lute and vihuela books, Early Music 20, 1992., 633-641.

Schlegel Andreas, Die Laute in Europa, The Lute Corner, Eckstr. 6, CH-5737 Menziken, 2000., 2. izdanje, vrlo pregledna knjiga o lutnji za opće upoznavanje glazbala.

Schmidt Henry Louis, The First Printed Lute Books: Francesco Spinacino’s ‘Inabulatura de Lauto, libro primo’ and libro secondo, disertacija na sveučilištu University of North Carolina at Chapel Hill, 1969.

Schrade Leo, Libro de Musica de Vihuela de Mano intitulado el Maestro …, Valencia, 1535., u: Publikationen älterer Musik (PÄM) II.

Schöner Oliver, Die Vihuela da Mano in Spanien des 16. Jahrhunderts, Europäische Hochschulschriften, serija 36, vol. 198, Frankfurt am Main, Peter Lang, 1999.

Schröder Karl-Ernst, Zur Interpretation der Präludien und Fantasien von Sylvius Leopold Weiss, neobjavljeno predavanje povodom kongresa o Weissu 1992.u Freibrurgu.

Schulze Hans-Joachim, Ein unbekannter Brief von Silvius Leopold Weiβ, u: Mf. XXI, Jg., 1968., 203f.

– Wer intavolierte Johann Sebastian Bachs Lautenkompositionen, u: Mf. XIX, Jg., 1966., 32-39.

Schulze-Kurz Ekkehard, Die Laute und Ihre Stimmungen in der ersten Hälfte des 17. Jahrhunderts, disertacija na sveučilištu Fakultät für Kulturwissenschaften der Eberhard-Karl-Universität Tübingen, Wilsingen, Tre Fontane, 1990. Opsežan znanstveni materijal sa nekim netočnostima te je zbog toga dijelom osporavan u pojedinim muzikološkim krugovima lutnje.

Slim H. Colin, Francesco da Milano. A Bio-Bibliographical Study, Musica Disciplina 18, 1964., 63-84.

Smith Douglas Alton,

  • A History of the Lute from Antiquity to the Renaissance, Lute Society of America, 2002., (vidi Homepage od Lute Society of America). Opsežna, bogato ilustrirana i brižljivo sastavljena knjiga jednog od vodećih muzikologa lutnje današnjice.
  • Baron and Weiss contra Mattheson: In defense of the lute, Journal of the Lute Society of America 6, 1973., 48-62.
  • The instructions in Matthaeus Waissel’s ‘Lautenbuch’, Journal of the Lute Society of America 8, 1875., 49-79.
  • The late Sonatas of Silvius Leopold Weiss, disertacija na sveučilištu Stanford University, California, 1977.
  • On the Origin of the Chitarrone, Journal of the American Musicological Society 32, 1979., 440-462.
  • The Musical Instrument Inventory of Raymund Fugger, Galpin Society Journal 33, 1980., 33-44.
  • Engleski prijevod pravilnika ceha graditelja lutnji grada Füssena iz 1562. godine i recenzija Bletschacherove knjige Die Lauten-und Geigenmacher i Layerove Die Allgäuer Lauten-und Geigenmacher, Journal of the Lute Society of America 13, 1980., 87-92.
  • A brief history of the lute as a cultural symbol, u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, objavio Philippe Canguilhem i dr., 43-49, Pariz, Cité de la musique, 1999.
  • Editing XVIIIth century lute Music. The Work of S. L. Weiβ, u: Le Luth et sa Musique II, Pariz, 1984., 253-260.
  • On the Origin of the Chitarrone, Journal of the American Musicological Society, 32, 1979., 440-462.

Smith James Gordon, John Dowland : A reappraisal of his ayres, D.M.A., znanstveni rad na sveučilištu University of Illinois, 1973.

Söhne Gerhard, On the geometry of the lute, Journal of the Lute Society of America 13, 1980., 35-54. Kasnija verzija u: Lute design and the art of proportion i popis Marka Lindleya, Lutes, viols and temperaments, Cambridge, CUP, 1984., 109-121. Vidi također njemački izvornik Zur Geometrie der Laute, u časopisu Gitarre & Laute 5, 1980, 14-23. Francuski prijevod u: Music Ancienne 14, lipanj 1982., 5-18.

Sommerrock Ulrich, Das Englische Lautenlied (1597-1622): Eine literaturwissenschaftlich-musikologische Untersuchung, disertacija na sveučilištu u Regensburgu, 1990.

Southard Marc & Suzana Cooper, A Translation of Hans Newsidler’s ‘Ein Newgeordent künstlich Lautenbuch …’, Journal of the Lute Society of America 11, 1978., 5-25.

Spencer Robert,

  • Chitarrone, Theorbo, and Archlute, Early Music 4, 1976., 408-422.
  • The Chitarrone Francese.  Early Music 4, 1976., 164-166.

Spiessens Godelieve,

  • Leven en werk van de Antwerpse luitcomponist Emanuel Adriaenssen (ca. 1554-1604), Brüssel, 1974.-1976.
  • Adrian Denss, een Duits luitcomponist van Antwerpse komaf (Antwerpen, ca. 1545?-Keulen?, 1596/1608), Revue Belge de Musicologie 51, 1997., 81-99.

Spink Ian, English Song: Dowland to Purcell, London, 1974.

Spring Matthew, The Lute in Britain: A History of the Instrument and its Music,

Oxford, Oxford University Press, 2001. Opsežno djelo o povijesti lutnje, njezinoj glazbi, izvorima i protagonistima u Engleskoj sa poglavljem o Škotskoj.

Stipčević Ennio,

  • Francesco Sagabria (c. 1550- after 1606), u: Mrzlečki Antun, The Lute in Croatia, The Lute, Journal of the Lute Society, vol. XLVI, 2006., 50-51.
  • Otkriće – Zagrebački lutnjst iz 16. stoljeća, Vjesnik, 22. listopada 1996.
  • Hrvatska glazba [Croatian Music], Školska knjiga, Zagreb, 13 i 59.
  • Etide za lijevu ruku[Etudes for the Left Hand], Znanje, Zagreb, 2000., 13 i 73.

Tayler David Stanley, The solo lute muic of John Dowland, disertacija na sveučilištu University of California, Berkeley, 1992.

Thibaut Geneviève, Un manuscrit italien pour luth des premièrs années du xvie siècle, u: Le luth et sa musique, objavio J. Jacquot, 43-76, Pariz, 1958., reprint 1976.

Thomas Benjamin, The Lute-Books of G. C. Barbetta: A polyphonic transcription of the composer’s complete works and an analysis of the fourteen fantasias, 3 vol., disertacija na sveučilištu North Texas State University, 1973.

Tischler Hans, The earliest lute tablature? Journal of the American Musicological Society 27, 1974., 100-103.

Toffolo Stefano, The corporation of lute-makers in Venice: Historical aspects, The Lute 23/2, 1983., 29-32.

Toffolo Stefano i Maria Pia Pedani, Una famiglia di liutai tedeschi a Venezia: I Tiefenbrucker, Il Fronimo 51, 1985., 56-62.

Toft Robert, Musicke a sister to Poetrie: Rhetorical artifice in the passionate airs of John Dowland, Early Music 12, 1984., 190-199

Trend J. B., Luis Milán and the Vihuelistas, Oxford, 1925.

Tuksar Stanislav, Hrvatska glazbena terminologija u razdoblju baroka [Croatian Musical terminology in the Baroque Period], Hrvatsko muzikološko društvo [Croatian Musicological Society], Zagreb, 1992., 293-295, 298.

Turnbull Harvey, The origin of the long-necked lute, Galpin Society Journal 25, 1972., 58-66.

Turrentine Herbert C., Gaspard Duifoprugcar and Pierre II Woeiriot de Bouzey: A visual reflection of music instrument construction in sixteenth-century Lyons, Discoveries: South-Central Renaissance Conference News and Notes 15/1, 1998., 3-4, 13-14.

Underwood Kent David, The Renaissance lute in solo song and chamber ensembles: a study of musical sources to ca. 1530., disertacija na sveučilištu Stanford University, 1987.

Vaccaro Jean-Michel, La musique de luth en France au XVIe siècle, Pariz (CNRS), 1981., (vidi www.cnrseditions.fr).

Vrlo detaljna i opsežna znanstvena studija, načelno prikladna za dublje bavljenje s glazbom lutnje 16. stoljeća, jer se gotovo obrađuju sva važna pitanja za glazbu lutnje i iz drugih područja Europe.

Vanhulst Henri,

  • Uvod od Chansons reduictz …, Livres I-III, Ženeva, izd. Minkoff, 1984.
  • Édition comparative des instruction pour le luth … publiées à Louvain par Pierre Phalèse (1545-70), Revue Belge de Musicologie 34/35, 1980./1981.
  • Les mises en tablature originales dans le ‘Theatrum Musicum’ de Pierre Phalèse (Louvain, 1563), u : La musique, de tous les passetemps le plus beau – : hommage à Jean-Michel Vaccaro, objavili François Lesure i Henri Vanhulst, 1-26, Pariz, Klincksieck, 1998.

Volkmann Hans, Sylvius Leopold Weiss. Der letzte groβe Lautenist, u: Die Musik XXIII, 6. Jg., 1906./1907., 273-289.

Wachsmann Klaus, članak Lute u: 6. izd. New Grove, Bd. 11, London, 1980. 342-365.

Ward John Milton,

  • The Editoral Methods of Venegas de Henestrosa, Musica Disciplina 6, 1951., 105-113.
  • The vihuela da mano and its Music (1536-1576), disertacija na sveučilištu New York University, 1953., solidan pregled literature za vihuelu usprkos starosti disertacije.
  • Music for ‘A Handfull of Pleasant Delites’, Journal of the American Musicological Society 5, 1952., 88-98.
  • The lute music of MS Royal Appendix 58, Journal of the American Musicological Society 13, 1960., 117-125 i šest tablica.
  • Parody technique in 16th-century instrumental music, u: The Commonwealth of Music, objavili Gustav Reese i Rose Brandel, 208-229, New York, 1965.
  • The Lute Books of Trinity College Dublin: MS D.3.30/I: The so-called Dallis lute book, Lute Society Journal 9, 1967., 19-40.
  • The Fourth Dublin Lute Book, Lute Society Journal 11, 1969., 28-46.
  • Springhtly & Cheerful Musick, Lute Society Journal 10, 1977., 1-234.
  • A Dowland Miscellany, Journal of the Lute Society of America 10, 1977., 5-153.
  • Changing the instrument for the music, Journal of the Lute Society of America 15, 1982., 27-39.
  • Music for Elizabethan lutes, dva vol., Oxford, 1992.

Warlock Peter, The English Ayre, London, 1926.

Wasiliewski W. J., Geschichte der Instrumentalmusik im XVI. Jahrhundert, Berlin, 1878., 30 i dalje, pionirski članak o lutnji.

Wells Robin Headlam,

  • Number symbolism in the renaissance lute rose, Early Music 9, 1981., 32-42.
  • The orpharion: Symbol of a humanist ideal, Early Music 10, 1982., 427-440.
  • The Ladder of Love. Verbal and Musical Rhetoric in the Elizabethan Lute-Song, Early Music 12, 1984., 173-189.
  • John Dowland and Elizabethan Melancholy, Early Music 13, 1985., 514-528.

Weinmann Karl, Johannes Tinctoris (1445-1511) und sein unbekannter Traktat ‘De Inventione et Usu Musicae’, Regensburg i Rim, 1917., reprint objavio Wilhelm Fischer, Tutzing, 1961.

Wenke Wolfgang, Ein neues altes Instrument – die Laute von Friedrich Prÿffer, Bayern um 1540., Scripta Artium 1., Leipzig, Musikinstrumenten-Museum der Stadt Leipzig, 1999., 57-60.

Wentzel Wayne C., The lute pavans and galliards of John Johnson, Anthony Holborne, Francis Cutting, John Dowland, and Daniel Bacheler: A stylistic comparison, disertacija na sveučilištu University of Pittsburgh, 1975.

Winternitz Emanuel,

  • Musical Instruments and their Symbolism in Western Art, New York, 1967., New Haven i London, 1979.
  • Die schönsten Musikinstrumente des Abendandes, München, 1966.

Witten Laurence C. II.,  Apollo, Orpheus, and David, Journal of the American Musical Instrument Society 1, 1975., 5-55

Wolff Christoph, Conrad Paumann, u: New Grove, vol., 14., London, 1980.

Wolff Christian, J. S. Bachs Bearbeitung einer Sonate von S. L. Weiss, referat prigodom kongresa „Silvius Leopold Weiss i njegovo vrijeme: europska glazba lutnje baroka“, Freiburg im Breisgau, 1992.

Wright Lawrence, The medieval gittern and citole: A case of mistaken identity, Gaplin Society Journal 30, 1977., 118-142.

Županović Lovro, Spomenici hrvatske glazbene prošlosti – Hrvatski skladatelji XVI. stoljeća Bosanac, Motovunjanin, Patricij, Skjavetić [Croatian Composers of the 16th century – Bosanac, Motovunjanin, Patricij, Skjavetić], Udruženje kompozitora Hrvatske, 1970.

Young Crawford,

  • Laute und Lautenmusik bis zu Anfang des 16. Jahrhunderts – Ein Forschungsbericht 100 Jahre nach Oswald Körte, u: H. M. Linde (izd.), Provokation und Tradition: Erfahrungen mit der Alten Musik, Bazel, 2000. 18-54.
  • Zur Klassifikation und ikonographischen Interpretation mittelalterlicher Zupfinstrumente, u: BJfHM 8, 100.

IZDANJA, FAKSIMILI I REPRINT IZDANJA

Abondante Giulio, Intabolatura di lauto …, 3 vol. u jednome, Venecija, 1546., 1548., i 1587. faksimil Ženeva, izd. Minkoff. 1982.

Adriaenssen Emanuel,

  • Pratum Musicum, Antwerpen, 1584., faksimil Buren, Frits Knuf, 1977. uvod napisao Kwee Him Yong.
  • Novum Pratum Musicum, Antwerpen, 1593., faksimil Ženeva, izd. Minkoff, 1977.

Allison Richard,

  • The Solo Lute Music of Richard Allison, objavio John Robinson i Stewart McCoy, biografski uvod napisao Robert Spencer, London, The Lute Society Music Editions, 1995.
  • The Psalms of David in Meter 1599, objavio Ian Harwood, English Lute Songs, 1597-1632; zbirka faksimila, 1. izd. London, 2./1980.

Ascue Robert, The Complete Lute Music od Robert Ascue, objavio John H. Robinson, dodatak u Lute News 33, siječanj 1995.

Attaignant Pierre,

  • Preludes, Chansons and Dances for Lute, Pariz, 1529.1530., objavio Daniel Heartz, Neuilly-sur-Seine, 1964., nova tabulatura i transkripcija na dva sustava notacije.
  • Dixhuit basses danses, 2 vol., objavio Helmut Mönkmeyer, Hofheim/Taunus, Hofmeister, 1966., nova tabulatura na dva sustava notacije i transkripcija za gitaru.
  • Tres breve et familiere Introduction …, uvod napisao Françoise Lesure, Pariz, 1529., reprint Ženeva, izd. Minkoff, 1988.

Attey John, The First Book of Ayres 1622, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 2. izd. London 2/1980.

Bacheler Daniel, Daniel Batcheler: Selected Works for Lute, objavio Martin Long, London, Oxford University Press, 1970., faksimili, nova tabulatura i transkripcija na dva sustava notacije.

Bakfark, Valentini, Opera Omnia, 3 vol., objavili István Homolya i Dániel Benkö, Budimpešta, Editio Musica, 1976.-1981.

Ballard Robert, Diverses Pièces, objavili Andre Souris, Sylvie Spycket i Jaques Veyrier, uvod napisala Monique Rollin, Pariz, CNRS, 1963.- 1976.

Barbetta Giulio Cesare, Il terctio libro de intavolatura de liuto, uvod napisao Jorge Fresno, faksimil Zaragoza, 1984.

*cjelokupno izdanje vidi gore pod: Thomas Benjamin William.

Barley William, Lute Music of Shakespeare’s Time (A new Booke of Tabliture), objavio Wilburn Wendell Newcomb, University Park, Pennsylvania, 1966.

Baron Ernst Gottlieb,

  • Historisch-theoretische & practische Untersuchung des Instruments der Lauten, Nürnberg, 1727., faksimil Amsterdam, Antiqua, 1965.
  • Study of the Lute, na engleski preveo i objavio Douglas Alton Smith, Redondo Beach, California, Musica Antiqua, 1976.

Bartlet John, A Book of Ayres 1606, objavio David David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 3. izd. London, 2./1980.

Belin, Œuvres de Julien Belin, objavio Michel Renault, Pariz, CNRS, 1976.

Bennici Giuseppe, L’Ultimo dei trovatori arabia in Sicilia, Palermo, 1874., navodno prijevod jednog dokumenta iz 14. stoljeća, ali moguće i povijesni roman iz 19. stoljeća.

Besard Jean-Baptiste,

  • Thesaurus harmonicus, faksimil Ženeva, izd. Minkoff, 1975., reprint 1993.
  • Œuvres pour luth seul de Jean-Baptiste Besard, 2. izd. objavio André Souris, uvod napisala Monique Rollin, Pariz, CNRS, 1969., 2. izd. 1981.
  • in artem testudinarium, pogovor napisao Peter Päffgen, Neuss, Institutio pro arte testudinis, 1974.
  • Novus Partus i Isagoge, faksimil Ženeva, Minkoff, 1983.

Bianchini Domenico,

  • Intabolatura de lauto, Venecija, 1546., faksimil Neuss, Institutio pro arte testudinis, 1977.
  • Intabolatura de lauto, Venecija, 1546., faksimil Ženeva, Minkoff, 1983.

The Board Lute Book, uvod napisao Robert Spencer, faksimil Kilkenny, Boethius, 1976.

Bocquet, Œuvres des Bocquet, objavio André Souris, uvod napisala Monique Rollin, Pariz, CNRS, 1972.

Bossinensis F. (Franjo Bosanac),

  • Tenori e contrabassi intabulati …Libro primo, faksimil Ženeva, Minkoff, 1977.
  • Tenori e contrabassi intabulati … Libro secondo, faksimil Ženeva, Minkoff, 1982.

The Brogyntyn Lute Book, komentar napisali Robert Spencer i Jeffrey Alexander, faksimil Kilkenny, Boethius, 1978.

Byrd William, Music for Lute: William Byrd, objavio Nigel North, London, Oxford University Press, (bez datuma) oko 1973., faksimil, nova tabulatura i transkripcija na dva sustava notacije

Caffagni Mirko,

  • Il Chitarrone come strumento per il basso continuo ed esempi del Ms. M. 127 della Biblioteca Estense di Modena, u: Secondo incontro con la musica italiana e polacca; Musica strumentale e vocale strumentale dal Rinascimento al Barocco, Bologna 29-30 settembre 1970., Bologna, Antiquae Musicae Italicae Studiosi, 1974., 117-151.
  • The Modena Tiorba Continuo Manuscript, Journal of the Lute Society of America 12, 1979., 25-42.

Campion Thomas,

  • Two Books of Ayres [1613], objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 5. London, Scolar Press, 1973.
  • The Third & Fourth Books of Ayres [1618], objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 5. London, Scolar Press, 1973.
  • The Description of a Masque in Honour of the Lord of Hayes 1607, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 6. London, Scolar Press, 1970.
  • The Masque at Lord Hay’s Marriage, 1607, objavio David Greer, English Lute Songs 1597-1632, zbirka reprinta faksimila, 6. London, Scoa Press, 1973.
  • The Description of a Maske Presented at the Marriage of the Earle of Sommerset, 1614, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 7. London, Scolar Press, 1970.
  • The Masque at the Earl of the Earl of Sommerset’s Marriage, 1614, uvod napisao Peter Holman, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 7. London, Scolar press, 1973.

Capirola Vincenzo,

  • Compositione di Messer Vincenzo Capirola, uvod napisao Orlando Cristoforetti, reprint Firenca, SPES, 1981.
  • Compositione di Messer Vincenzo Capirola, sa uvodom objavio Otto Gombosi, Neuilly-sur-Seine, 1955., reprint New York, Da Capo, 1983.

Caroso Fabritio,

  • Nobilitá di Dame, na engleski prevela i objavila Julia Sutton, New York, 1986.
  • Nobilitá di Dame, Venecija, 1600., uvod napisala Rossana Dalmonte, Biblioteca Musica Bononiensis 2/203, Bologna, 1970.
  • Il Ballarino, Venecija, 1581., Monuments of Music and Music Literature in Facsimile, 2/46, New York, 1967.

Casteliono,

  • Intabolatura de leuto de diversi autori, Milano, 1536., uvod napisao Orlando Cristoforetti, faksimil Firenca, SPES, 1970., djela Francesca, Borrona, Marca dall’Aquille i da Rippa.
  • Intabolatura de leuto de diversi autori, faksimil Ženeva, Minkoff, oko 1980.
  • Intabolatura de leuto de diversi autori, objavio Reginald Smith Brindle, Milano, Suvini Zerboni, oko 1974., transkripcija za gitaru.

Castaldi Bellerfonte, Capricci a due stromenti cioe Tiorba e Tiobino, Modena, 1622., faksimil  Ženeva, Minkoff, 1981.

Cato Diomedes, Preludia, fantazje, tance, i madrygaly, 2 vol. Vol. 1 objavila M. Szczepanska, 2. izd., Krakov, PWM Edition, 1970., Vol. 2. objavio Piotr Pozniak, Krakov, PWM Edition, 1973.

Cavallini Ivano,

  • objavio Intavolatura per Liuto e Tiorba di Anonimo; Ms. Pesaro, Cons. G. Rossini, b 14/7346. Bologna, Antique Musicae Italicae Studiosi, 1979. [Tabulatura i transkripcija].
  • Sull’opera Gratie et affetti amorosi di Marcantonio Aldigatti (1627), Quadrivivum, 19 / 2, 1978., str. 145-204.

Cavendish Michael, Lute Solos by Michael Cavednish, etc., objavio John H. Robinson, dodatak iz Lute News 29, siječanj, 1994.

Celtis Conrad, Selections from Conrad Celtis, preveo na engleski i objavio Leonard Forster, Cambridge, 1948.

Coperario John,

  • Funeral Tears, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 9. London, Scolar Press, 2/1978.
  • Songs of Mourning 1613, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 10., London, Scolar Press, 2/1978.

Corkine William,

  • Ayres to Sing and Play to the Lute. 1610, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 11. London, Scolar Press, 2/1978.
  • The Second Booke of Ayres 1612, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 12. London, Scolar Press, 2/1977.

Crema Giovanni Maria da, vidi Maria da Crema.

Crétin Guillaume, Œuvres Poétiques de Guillaume Crétin, objavila Kathleen Chesney, Pariz, 1932.

Cutting Francis, Francis Cutting: Selected works for lute, objavio Martin Long, London, Oxford University Press, 1966., faksimili, nova tabulatura i transkripcije u dva sustava notacije.

Dalza Joanambrosio,

  • Intabulatura de lauto, Venecija, 1508., faksimil Ženeva, Minkoff, 1980.
  • Intabolatura de Lauto, 3 vol. objavio Helmut Mönkemeyer, Hofheim, 1966.-1967., transkripcija za gitaru, transkripcija u dva sustava notacije i nova tabulatura.

Danyel John,

  • Songs for the Lute 1606, objavio David Green, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 13. London, Scolar Press, 2/1977.
  • The Complete Works of John Danyel, Volume 1: Lute Music, objavio John Robinson, London, Lute Society Music Editions, 1977.

Daza Esteban,

  • Libro de musica … El Parnasso, faksimil Ženeva, Minkoff, 1979.
  • Libro de musica, objavio Rodrigo de Zayas, Madrid, Editorial Alpuert, oko 1980., faksimil i transkripcija na dva sustava notacije i oktaviranom diskantnom ključu.
  • The fantasias for vihuela, objavio John Griffiths, Madison, A-R Editions, 1982., tabulatura i transkripcija dvadeset i dviju fantazija na dva sustava notacije sa Griffithsovim uvodom.

Disertori Benvenuto, Le Frottole per Canto e Liuto Intabulate da Franciscus Bossinensis, Istituzioni e monumenti dell’arte musicale italiana, vol. III, nuova seria, Milano, Ricordi, 1964.

Dowland John,

  • The Collected Lute Music of John Dowland, objavili Diana Poulton i Basil Lam, London, Faber, 1974., nova tabulatura i transkripcije na dva sustava notacije.
  • Lachrimae. Facsimile of the Original Edition of ca. 1604, objavio Warwick Edwards, Leeds, Boethius Press, 1974.
  • Lachrimae. A Reproduction of the Copy Owned by Robert Spencer, komentar napisao Warwick Edwards, 1974., dodatne bilješke napisali Stewart McCoy i Robert Spencer, Aberystwyth, 1992.
  • A Pilgrimes Solace 1612, objavila Diana Poulton, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 18. London, Scolar Press, 1977.
  • The First Booke of Songes or Ayres 1597, objavila Diana Poulton, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 15. London, Scolar Press, 1968.
  • The First Booke of Songes or Ayres 1613, objavila Diana Poulton, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 15. London, Scolar Press, 3/1985.
  • The First Booke of Songes or Ayres (1613 edition). Performer’s Facsimiles, 127, New York, 1994.
  • The Second Booke of Songes or Ayres 1600, objavila Diana Poulton, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 16. London, Scolar Press, 3/1985.
  • The First Booke of Songs or Ayres. 1613 edition. Performer’s Facsimiles, 128, New York, 1994.
  • The Third and Last Booke of Songes or Ayres 1603, objavila Diana Poulton, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 17. London, Scolar Press, 2/1985.
  • The Third and Last Booke of Songs or Ayres. Performer’s Facsimiles, 129, New York,1994.

Dowland Robert,

  • Varietie of Lute Lessons, London, 1610, uvod napisao Edgar Hunt, faksimil London, Schott, 1958.
  • Varietie of Lute Lessons, London, 1610. The English Experience, 921. Amsterdam, 1979.
  • Musicall Banquet, London, 1612, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 19. London, Scolar Press, 2/1977.
  • A Musicall Banquet, London, 1612. Performer’s Facsimiles, 59, New York, 1990.

Drusina Benedict, Tabulatura …, Frankfurt an der Oder, 1556., faksimil Leipzig, Zentralantiquariat der DDR i Bärenreiter/Kassel, 1980.

Edwards Warwick, izd. Music for Mixed Consort, Musica Britannica 40, London, 1977.

Fellowes Edmund Horace, izd. The English School of Lutenist Song Writers, London, Stainer & Bell, oko 1921.- 1926.

Ferrabosco the Elder, Alfonso,

  • Opera Omnia, objavio Richard Charteris, Corpus mensurabilis musicae 96, vol. 9., Neuhausen-Stuttgart, 1988.
  • Collected Works for Lute and Bandora, 2 vol. objavio Nigel North, London, Oxford University Press, 1979.

Ferrabosco Alfonso the Younger,

  • Ayres 1609, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 20. London, Scolar Press, 2/1978.
  • Alfnso Ferrabosco II: Manuscript Songs, objavio Ian Spink, London, 1966.

Ford Thomas, Musicke of Sundrie Kindes 1607, objavio David Greer, English Lute Songs, 1697-1632, zbirka reprinta faksimila, 21. London, Scolar Press, 2/1978.

Francesco da Milano,

  • The Lute Music of Francesco Canova da Milano (1497-1543), 3 vol. u jednome, objavio Arthur Ness, Cambridge, Harvard University Press, 1970., transkripcije u dva sustava notacije sa novom tabulaturom. Prošireno izdanje pripremio Ness.
  • Opere complete per liuto, objavio Ruggiero Chiesa, Milano, Suvini Zerboni, 1971., sa transkripcijama svih vokalnih dionica i intabulaciju, gitarska transkripcija.
  • Intavolatura de viola o vero liuto. Libro primo (-secondo), Napulj, 1536., uvod napisao Arthur Ness, faksimil Ženeva, Minkoff, 1977.
  • Intavolatura di liuto di ricercari, madrigali, et canzoni francese …Libro terzo, Venecija, 1562., udov napisao Arthur Ness, faksimil Ženeva, Minkoff, bez datuma.

Francisque Antoine, Le Trésor d’Orphée, Pariz, 1600., faksimil Ženeva, Minkoff, 1973., 3/1993.

Fuenllana Miguel de,

  • Orphénica Lyra, objavio Charles Jacobs, Oxford, Oxford University Press, 1978., transkripcija na dva sustava notacije.
  • Libro de musica para vihuela, intitulado Orphénica Lyra, Sevilla, 1554., faksimil Ženeva, Minkoff, 1981.

Fuhrmann Georg Leopold,

Testudo Gallo-Germanica, Nürnberg, 1615., faksimil Neuss, Institutio pro arte tesudinis, 1975.

*u vezi sa cijelom transkripcijom vido gore pod May.

Galilei Vincenzo,

  • Fronimo, Venecija, 1584., prevela i objavila Carol MacClintock, Neuhausen-Stuttgart, American Institute of Musicology – Hänssler-Verlag, 1985.
  • Fronimo, faksimil Leipzig, Zentralantiquariat der DDR, 1978.
  • Libro d’intavolatura di liuto, Firenca, 1984., Biblioteca Nazionale di Firenze ms. Gal. 6., uvod napisao Orlando Cristoforetti, faksimil Firenca, SPES, 1992.

Garsi di Parma Santino, Werke für Laute, objavio i napisao uvod Dieter Kirsch, Köln, Gitarre + Laute, 1989., faksimil i transkripcija za gitaru.

*Vidi također gore pod Osthoff.

Gerle Hans,

  • Musica Teutsch, Nürnberg, 1532., Neuss, Institutio pro arte testudinis, oko 1975.
  • Musica und Tabulatur, Nürnberg, 1546., faksimil Ženeva, Minkoff. 1977.
  • Ein newes sehr künstliches Lautenbuch, Nürnberg, 1552., faksimil Leipzig, Zentralantiquariat der DDR i Bärenreiter/Kassel, 1980.
  • Ein neues sehr künstliches Lautenbuch, Documents de musique ancienne, objavili Henri Ducasse, Hélène Charnassé i Raymond Meylan, nova i eksperimentalno računalska postava tabulature, nepolifona, transkripcija u dva sustava notacije.
  • Tabulatur auff die Lautten, Nürnberg, 1533., objavili Hélène Charnasse i Henri Ducasse, Pariz, CNRS, 1975., ista transkripcija i postupak kao gore.

Giovanni Maria da Crema,

  • Intavolatura di liuto, objavio Giuseppe Gullino, revidirao Reginald Smith Brindle, Firenca, 1955., transkripcije za gitaru.
  • Intabolatura de liuto, Venecija, 1546., faksimil Ženeva, Minkoff, 1981.

Gorzanis Giacomo,

  • Libro de intabulatura di liuto, 1567., objavio Bruno Tonazzi, Milano, Suvini Zerboni, 1975., transkripcije za gitaru.; *u svezi sa transkripcijom na dva sustava notacije rukopisa iz 1567. godine vidi gore pod El Mallah.
  • Intabolatura di liuto … Libro primo [-tertio], faksimil Ženeva, Minkoff, 1981.

Gostena Giovanni Battista dalla, Intavolatura di liuto, objavio Giuseppe Gullino, Firenca, 1949., transkripcije za gitaru.

*U vezi faksimilnog izdanja vidi niže pod Molinaro.

Greaves Thomas, Songs of Sundrie Kinds 1604, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 22. London, 2/1978.

Hassler Hans Leo, Lautenwerke, 3 vol., objavio Helmut Mönkemeyer, Hofheim/Taunus, Hofmeister, 1982.

The Hisch Lute Book, uvod napisao Robert Spencer, faksimil Kilkenny, Boethius, 1982.

Holborne Anthony, Music for Lute and Bandora, 2 vol., objavio Masakata Kanazawa, Cambridge, Mass., Harvard University Press, 1967.

Howet Gregory, Collected Lute Solos of Gregory Howet, objavio John H. Robinson, Lübeck, TREE Edition, 1998.

Hume Tobias,

  • The First Part of Ayres 1605, objavio Frank Traficante, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 24. London, Scolar Press, 3/1985.
  • Captain Humes Poeticall Musicke 1607, objavio Frank Traficante, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 25. London, Scolar Press, 2/1977.

Jacobs Charles, izd., A Spanish Renaissance Songbook, University Park i London, Pennsylvania State University Press, 1988.

Jeffery Brian, izd., Elizabethan Popular Music for the Lute, London, Oxford University Press, oko 1966., anonimna djela, Collard, Whitefield, Dowland, Cutting, Byrd, Holborne.

Jobin Bernhard, Das erste [-ander] Buch newerlessner … Lautenstück …, Strassburg, 1572-1573, Ženeva, Minkoff, bez datuma.

Johnson John,

  • The Lute Works of John Johnson, 3 vol., objavio John Ward, Columbus, Editions Orphée, 1994., tabulatura na dva sustava notacije i transkripcija za gitaru.
  • John Johnson: Collected Lute Music, 2 vol., objavio Jan W. J. Burgers, Lübeck, TREE Edition, 2001., tabulatura i transkripcije na dva sustava notacije sa uvodom i recenzijom.

Johnson Robert, Complete works for solo lute, objavio Alber Sundermann, London, Oxford University Press, 1972., izdanje je nepotpuno, vidi iznad pod Jeffery 1974a.

Jones Robert,

  • The Muses Gardin 1610, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 30. London, Scolar Press, 1978.
  • A Musicall Dreame 1609, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 29. London, Scolar Press, 2/1980.
  • The First Booke of Songs and Ayres 1600, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 26. London, Scolar Press, 2/1978.
  • The Second Booke of Songs and Ayres 1601, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 27. London, Scolar Press, 2/1978.
  • Ultimum Vale 1605, objavio David Greer, English Lute Songs 1597-1632, zbirka reprinta faksimila, 28. London, Scolar Press, 2/1978.

Judenkünig Hans, Ain schone kunstliche vunderweisung, 1523., objavio Helmut Mönkemeyer, Hofheim/Taunus, Hofmeister, oko 1960., sa faksimilima ilustracija i mnogo teksta, nova tabulatura, transkripcije za gitaru i na dva sustava notacije.

Kapsberger Giovanni Girolamo,

  • Libro primo di Arie, Rim, 1612., faksimil Firenca, Studio per Edizioni Scelte, 1980.
  • Libro primo di Villanelle, Rim, 1610., faksimil Firenca, Studio per Edizioni Scelte, 1979.
  • Libro terzo di Villanelle, Rim, 1619., faksimil Firenca, Studio per Edizioni Scelte, 1979.
  • Libro primo d’intavolatura di Chitarrone, Venecija, 1604., faksimil Firenca, Studio per Edizioni Scelte, 1982.
  • Libro quarto d’intavolatura di Chitarrone, Rim, 1640., faksimil Firenca, Studio per Edizioni Scelte, 1982.

Kargel Sixtus, Novae … Cantilenae …, Strassburg, 1574., faksimil Ženeva, Minkoff, 1983.

Kindersley Robert, The Complete Lute Solos od Robert Kindersley/Kennersley, Robert Taylor and Thomas Greaves, objavio John H. Robinson, dodatak iz Lute News 41, ožujak 1997.

Koczirz Adolf, Österreichische Lautenmusik im XVI Jahrhundert, Denkmäler der Tonkunst in Österreich, 37., Graz, 1911., 2/1959., uvod napisao Koczirz. Vrlo dobar odabir djela Judenküniga, Hansa Newsidlera, Gintzlera, Bakfarka i anonimnih skladatelja iz rukopisa, transkripcije na dva sustava notacije.

The Königsberg Manuscript, faksimilno izdanje sa komentarima Arthura J. Nessa i Johna  M. Warda, Columbus, Editions Orphée, 1989.

Le Roy Adrian,

  • Premier livre de tabulature de luth (1551), objavili André Souris i Richard de Morcourt, uvod napisao Jean Jacquot, konkordanciju sastavio Daniel Heartz, Pariz, CNRS, 1975., transkripcije na dva sustava notacije i nova tabulatura.
  • Œuvres d’Adrian Le Roy: Les instructions pour le luth (1574), vol. 1. objavili Jean Jacquot, Pierre-Yves Sordes i Jean –Michel Vaccaro, Pariz, CNRS, 1977.
  • Sixiesme livre de luth (1559), objavio Jean-Michel Vaccaro, Pariz, CNRS, 1978., transkripcije na dva sustava notacije i nova tabulatura.
  • Fantaisies et Danses extraites de ‘A briefe and easye Instruction’ (1568), objavio Pierre Jansen, uvod napisao Daniel Heartz, Pariz, CNRS, 1962., revidirano izd. 1975., u transkripcijama na dva sustava notacije i novoj tabulaturi.
  • Chansons au luth et airs de cour français du XVIe siècle, objavili Adrienne Mairy, Lionel de la Laurencie i Geneviève Thibault, Pariz, Droz, 1934.

Lushier, The Complete Lute Solos of Mr. Lushier, objavio John H. Robinson, dodatak iz Lute News 35, rujan 1995.

Marco dall’Aquila, 12 Ricercari für Renaissancelaute, objavio Stefan Lundgren, München, Lundgren Musik-Edition, 1982., nepotpuno izdanje, ali je trenutno najveća Marcova zbirka u tisku, samo nova tabulatura.

*Vidi također gore djela pod Ness 1984. Cjelokupno Nessovo izdanje je u planu za 2001. godinu.

The Marsh Lute Book, komentar napisao Robert Spencer, faksimil Kilkenny, Boethius, 1981.

Mason Mathias, The Complete Lute Solos of Mathias Mason and John Marchant, objavio John H. Robinson, dodatak iz Lute News 47, rujan 1998.

Manabe R, Music for Lute. S. L. Weiss. Moskovski manuskript, Tokio, 1976.

Matelart Joanne, Intavolatura de leuto, Rim, 1559., uvod napisao Orlano Cristoforetti, Firenca, SPES, 1984.

Maynard John, The XII Wonders of the World 1611, objavio Ian Harwood, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 32. London, Scolar Press, 2/1978.

Mertel Elias, Hortus musicalis novus, Strassburg, 1615., faksimil Ženeva, Minkoff, 1983.

Melii Pietro Paolo,

  • Intavolatura di Liuto attiorbato libro secondo, Venecija, 1614., faksimil Firenca, Studio per Scelte, 1979.
  • Intavolatura di Liuto attiorbato e di Tiorba libro quinto, Venecija, 1620., faksimil Firenca, Studio per Edizioni Scelte, 1979.

Milán Luis,

  • El Maestro, objavio Leo Schrade, Leipzig, 1927., reprint Wiesbaden, 1967., nepolifone transkripcije na dva sustava notacije i nova tabulatura.
  • El Maestro, objavio Charles Jacobs, University Park, Pennsylvania State University Press, 1971., transkripcija na dva sustava notacije i engleski prijevod Milanovog uvoda i tekstova pjesama sa kratkim komentarom.
  • El Maestro, 2 vol., objavio Ruggero Chiesa, Milano, Suvini Zerboni, 1974. transkripcije za gitaru.
  • El Maestro, 4 vol., objavio Helmut Mönkemeyer, Hofheim/Taunus, Hofmeister, 1975., tabulatura, transkripcija za gitaru i transkripcija na dva sustava notacije.
  • El Maestro, faksimil Ženeva, Minkoff, 1975.

M. L. Lute Book, oko 1610.-1640., tiskovina poznata također kao John Sturt’s Lute Book, uvod napisao Robert Spencer, faksimil Kilkenny, Boethius, 1985.

Molinaro Simone, Intavolatura di liuto, libro primo, Venecija, 1599., faksimil Firenca, SPES, 1978., uvod napisao Orlando Cristoforetti, sadrži također glazbu dalle Gostene.

Morlaye Guillaume,

  • Œuvres pour le luth, objavio Michel Renault, Pariz, CNRS, 1980., nova tabulatura i transkripcija na dva sustava notacije.
  • Premier [-second] livre de tablature de leut, Pariz, 1552-1558, faksimil Ženeva, Minkoff, 1983.,

Morley Thomas,

  • The first book of consort lessons, objavio Sydney Beck, New York, 1959., transkripcija i rekonstrukcija šesteroglasne partiture.
  • The First Book of Ayres 1600, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 33. London, Scolar Press, 2/1977.

Morphy Guillermo, Les luthists espagnols du XVIe siécle, dva vol. u jednome, Leipzig, 1902., reprint New York, Broude Brothers, 1967., izbor djela od Milana, Narvaeza, Mudarre i Valderrábana, nepolifone transkripcije na dva sustava notacije.

Mudarra Alonso,

  • Tres libros de musica, Sevilla, 1546., faksimil Monako, Editions Chanterelle, 1980., kratki uvod napisao James Tyler.
  • Tres libros de musica, faksimil Ženeva, Minkoff, bez datuma.
  • Tres libros de musica, objavio Emilio Pujol, Barcelona, 1949, transkripcije za gitaru.

The Mynshall Lute Book, uvod napisao Robert Spencer, faksimil Leeds, Boethius, 1975.

Narváez Luis de,

  • Opera Omnia, objavio Rodrigo de Zayas, Madrid, 1981., transkripcije za gitaru.
  • Los seys libros del Delphin de musica, 1538., faksimil Ženeva, Minkoff, 1980.
  • Los seys libros del Delphin de musica, 1538., faksimil Monako, Chanterelle, bez datuma.

Newman, The complete Lute Music Ascribed to Master Newman – plus Wigmores Galliard, objavio John H. Robinson, dodatak iz Lute News 38, lipanj 1996.

Newsidler Hans,

  • Ein Newgeordent künstlich Lautenbuch, 2 vol., objavio Helmut Mönkemeyer, Hofheim/Taunus, Hofmeister, bez datuma, tabulatura, transkripcija za gitaru i transkripcija na dva sustava notacije.
  • Ein Newgeordent künstlich Lautenbuch, Nürnberg, 1536., faksimil Neuss, Institutio pro arte testudinis, 1974.
  • Der ander Theil des Lautenbuchs, Nürnberg, 1536., faksimil Neuss, Institutio pro arte testudinis, 1976.

Newsidler Melchior,

  • Collected Works of Melchior Neusidler: Intabolatura di Liuto (Venice 1566), objavio Charles Jacobs, Ottawa, Institute of Medieval Music, 1994., sadrži samo plesove i ricercare iz dviju venecijanskih tiskovina.
  • Il primo [-secondo] libro. Intabolaturo di liuto, Venecija, 1566., uvod i popis napisao Charles Jacobs, faksimil Ženeva, Minkoff, bez datuma.

Nürnberger Lautenbuch. Handschriftiche Tabulaturensammlung um 1600, objavio Helmut Mönkemeyer, Die Tabulatur 23-27, Hofheim/Taunus, Das Musikinstrument, 1979.

Pacoloni Giovanni, Tribus testudinibus ludenda carmina, Louvain, 1564., uvod napisao Henri Vanhulst, faksimil Ženeva, Minkoff. 1981.

Paladin Jean-Paul,

  • Œuvres de Jean Paul Paladin, objavili Michel Renault i Jean-Michel Vaccaro, Pariz, CNRS, 1986.
  • Premier livre de tablature de luth, drugo izd. Lyon, 1560., faksimil, Ženeva, Minkoff, 1983.
  • Tabulature de lutz, 1549.?, faksimil München, TREE Edition, 1986,

Pearse Edward, The Complete Lute Solos of Edward Pearse, objavio John H. Robinson, dodatak iz Lute News 31, rujan 1994.

Pérez de Hita Ginés, Guerras civiles de Granada, vol. 2, Madrid, 1915., (izvornik iz 1619.)

Perino Fiorentino, Opere complete, objavili Mirco Caffagni i Franco Pavan, Bologna, Ut Orpheus Edizioni, 1996.

*Vidi pod Falkenstein u vezi ranijeg izdanja i biografske studije.

Perla Hortensio, Collected Lute Solos of Hortensio Perla of Padua and Pomponio of Bologna, objavio John H. Robinson, Lübeck, TREE Edition, 2000.

Pesaro Manuscript, vidi pod Ivanoff 1988. gore.

Petrarch Francesco, Petrarch: Sonnets and Songs, uvod napisao Theodor E. Momsen, New York, 1946., 2. izd. 1978.

Phalèse Pierre,

  • Chansons reduictz en tablature de lut … Livres I-III. 1545-1547, uvod napisao Henri Vanhulst, faksimil, Ženeva, Minkoff, 1984.
  • Des chansons gaillards … Livre cinquième, Louvain, 1547., uvod napisao Henri Vanhulst, faksimil Ženeva, Minkoff, 1991.
  • Hortus musarum, Louvain, 1552-1553, uvod napisao Henri Vanhulst, Brüssel, Office International de Librarie, 1979.
  • Luculentum theatrum musicum, Louvain, 1568, uvod napisao Henri Vanhulst, Ženeva, Minkoff, 1983.
  • Theatrum musicum, Louvain, 1571, uvod napisao Henri Vanhulst, Ženeva, Minkoff, bez datuma

Philips Peter, Lute Intabulations of Works by Peter Philips, objavili David J. Smith i John H. Robinson, London, Lute Society Music Editions, 1998.

Pifaro Marcantonio del, Intabulatura de lauto, Venecija, 1546, faksimil Ženeva, Minkoff, 1981.

Piccinini Alessandro, Intavolatura di Liuto et di Chitarrone Libro primo, Bologna, 1623., faksimil Bologna, Forni, 1962.

Pickering Jane, Jane Pickering’s Lute Book, ca. 1615-45, uvod, tablice i konkordancije napisao i uredio Robert Spencer, faksimil Kilkenny, Boethius, bez datuma.

Pilkington Francis,

  • The First Booke of Songs or Ayres 1605, objavio David Greer, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 34. London, Scolar Press, 2/1978.
  • The First Booke of Songs or Ayres 1605, Performer’s Facsimiles, 95. New York, 1991.
  • Complete Works for Solo Lute, objavio Brian Jeffery, London, Oxford University Press, 1970.

Pisador Diego, Libro de musica de vihuela, Salamanca, 1552, faksimil Ženeva, Minkoff, 1973.

Pittoni Giovanni, Intavolatura di Tiorba. Opera prima & seconda, Bologna, 1669., faksimil Firenca, Studio per Edizioni Scelte, 1981.

Plutarch, Moralia. Vol. 4. na engleski preveo Frank Cole Babbitt, London i Cambridge MA, 1957.

Polak Jakub, (Jaques Reys, le Polonais),

  • Preludia, fantazje i tance na lutnie, objavila Maria Szczepanska, Varšava, 1951.
  • Jakub Polak: Utwory Zebrane (Sabrana djela), objavio Piotr Poźniak, Krakov, Polskie Wydawnictwo Muzyczne, 1993.

Porter Walter, Madrigales and Ayres, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 35. London, Scolar Press, 2/1981.

Praetorius Michael, De Organographia, Wolfenbüttel, 1619., faksimil Kassel i Basel, Bärenreiter, 1963.

Ramilette de Flores Nuevas, objavili Javier Hinojosa i Frederick Cook, Zürich, Editio Violae, 1981., faksimili i neki novi aranžmani tabulatura.

Raynaud Manuscript, Le livre des vers du luth, dit manuscrit Raynaud (1575-1620), faksimil Ženeva, bez datuma.

Reich Wolfgang, Silvius Leopold Weiss. 34 Suiten für Laute solo (faksimil izdanje Drezdenskog manuskripta), Leipzig, 1977.

Reymann Matthaeus, Noctes Musicae, Leipzig, 1598., faksimil Ženeva, Minkoff, 1978.

Rippe Albert de, Œuvres d’Albert de Rippe, objavio i uvod napisao Jean-Michel Vaccaro, vol. 1. Fantasies, Pariz, CNRS, 1972.; vol. 2. Motets et Chansons (prvi dio), 1974.; vol. 3. Chansons (drugi dio), 1975. Nova tabulatura, transkripcija na dva sustava notacije sa paralelnom transkripcijom na dva sustava izvornika vokala iz Rippeovih intabulacija.

Robinson John H.,

  • izd. Lute solos by Italian musicians at the English Court: Augustine Bassano, Lodwick, Ambrose, Anthony, Mark Anthony, Petro and Renaldo Paradiso, dodatak iz Lute News 50, lipanj 1999.
  • Lute Solos by Edward Blanks, Jeremy Chamberlain, Daniel Farrant, Andrew Marks, Henry Porter, William Simmes, Thomas Smyth and Thomas Vautor, dodatak iz Lute News 45, ožujak 1998.

Robinson Thomas,

  • The Schoole of Musicke, London, 1603, objavio David Lumsden, Pariz, CNRS, 1971.
  • The Schoole of Musicke, The English Experience, 589, Amsterdam, 1973.

Ronsard Pierre de, Les Œuvres de Pierre de Ronsard, objavio Isidor Silver, Chicago, 1968.

Rosseter Philip,

  • A Booke of Ayres, London, 1601, English Lute Songs, 1597-1632, zbirka reprinta faksimila, 36. London, Scolar Press, 2/1977.
  • A Booke of Ayres, Performer’s Facsimiles, 119, New York, 1992.
  • The Lute Music of Philip Rosseter, objavio Rober Spencer, revidirali John Robinson i Stewart McCoy, London, Lute Society Music Editions, 1998.

Rotta Antonio, Intabolatura de lauto, Venecija, 1546., faksimil Ženeva, Minkoff, 1982.

Saint-Gelais Mellin de,

  • Œuvres complètes, objavio P. Blanchemain, Pariz, 1873., reprint Luxemburg, 1970.
  • Sonnets, objavila Luigia Zilli, Pariz, Droz, 1990.

The Sampson Lute Book, oko 1609., tiskovina prije poznata kao Tollemache Manuscript, uvod napisao Robert Spencer, faksimil Leeds, Boethius, 1974.

Sandrin, Opera Omnia, Corpus mensurabilis musicae 47., objavio Albert Seay, Dallas, American Institute of Musicology, 1968.

Santa Maria Fray Tomas de, The Art of Playing the Fantasia, na engleski preveli Almonte C. Howell, jr. i Warren E. Hultberg, Pittsbirgh, 1991.

Schele Ernst, Tabulatur-Buch, objavio Lothar Fuhrmann, Hamburg, 1981.

Schlick Arnolt,

  • Tabulaturen etlicher Lobgesang, objavio Gottlieb Harms, Hamburg, Ugrino, 1957.
  • Tabulaturen etlicher Lobgesang und lidlein, objavio Helmut Mönkemeyer, Hofheim/Taunus, Hofmeister, 1965., nova tabulatura, notacija na dva sustava i transkripcija za gitaru.

Serafino Aquilano, *vidi gore pod Bauer-Formiconi.

  • Le Rime di Serafino Aquilano in Musica, objavili Giuseppina La Face Bianconi i Antonio Rossi, Firenca, Leo S. Olschki, 1999.

Siena, vidi Tablature …

Spinacino Francesco, *sabrana djela, vidi gore pod Schmidt.

  • Intabolatura de lauto. Libro primo [-secondo], uvod napisao Françoise Lesure, faksimil Ženeva, Minkoff, 1978.

Tablature de luth italienne, Thibault Manuscript, Pariz Rés. Vmd. Ms. 27, oko 1505., faksimil Ženeva, Minkoff, 1981.

Tablature de luth italienne dit Siena Manuscript (ca. 1560-1570), komentar napisao Arthur Ness, faksimil Ženeva, Minkoff, 1988. Anonimna djela, Francesco, de Rippe, Severino, Fabritio Dentice, Pierino Fiorentino i drugi.

Terzi Giovanni Antonio,

  • Intavolatura di liuto di libro primo, Venecija, 1593., faksimil Firenca, SPES, 1981.
  • Il secondo libro, Venecija, 1599., faksimil Firenca, SPES, 1981.
  • Intavolatura di liuto libro primo, objavio Mirko Caffagni, Milano, 1966.
  • Il secondo libro de intavolatura di liuto, Bologna, Biblioteca Musica Bononiensis, bez datuma.
  • The Lute Fantasias, Edited by Suzanne Court, Recent Researches in the Music of the Renaissance, vol. 123. Madison, Wisconsin, A-R Editions, 2000.

Thibault, vidi Tablature …

The Turnbull Lute Booke, c. 1595, uvod napisao Robert Spencer, faksimil Kilkenny, Boethius, 1980.

The Turpyn Book of Lute Songs, c. 1610-1615, uvod napisao Richard Rastall. Faksimil Kilkenny, Boethius, 1973.

Valderrábano, Libro de Musica de Vihuela, Intitulado Silva de Sirenas, faksimil Ženeva, Minkoff, 1981.

Valerius Adriaen, Neder-Landtsche Gedenck-Clanck, Haarlem, 1626., komentar napisao P. J. Meertens, faksimil nizozemske pjesmarice, 9. Buren, Frits Knuf, bez datuma.

Valerius Adriaen,

  • Neder-Landtsche Gedenck-Clanck, Haarlem, 1626., komentar napisao P. J. Meertens, faksimil nizozemske pjesmarice, 9. Buren, Frits Knuf, bez datuma.
  • Neder-Landtsche Gedenck-Clanck, New York, New York Public Library, 1959.

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