A
Abbot & Segerman, The geometric description & analysis of instrument shapes, FoMRHI, Comm., 5. Jan., 1976.
B
Bletschacher Richard, Die Lauten-und Geigenmacher des Füssener Landes,
Hofheim am Taunus, Friedrich Hofmeister, 1978, standardno djelo.
Burzik Monika: Quellenstudien zu europäischen Zupfinstrumentenformen, Kassel, 1995.
C
Coates Kevin, Geometry, Proportion and the Art of Lutherie, Oxford, 1985.
Cooper Robert S.: Lute Construction, Savannah, S. A. D., 1963., vlastito izdanje.
Downing John The Maler and Frei Lutes – Some Observations , FoMRHI Bull. 11, 1978., 60
D
Dugot Joël, Some lutes in Paris museums, Journal of the Lute Society of America 16, 1983., 27-56 i 17-18, 1984./1985., 53-105. Vidi također njegove članke na francuskom jeziku Luth dans les collections de musées parisiens, Musique ancienne 14, 1982. 29-49 i Description des luths de la collection du Musée du C.N.S.M. II, Musique Ancienne 16, 22-74.
– Parcours, détours, et pièges, Imago musicae 4, 1987., 239-254.
– Un nouvel exemplaire de vihuela au musée d la musique? u: Luths et luthistes en Occident: Actes du colloque 13-15 Mai 1998, obj. Philippe Canguilhem, 307-317., Pariz, Cité de la musque, 1999.
E
Edwards David, Talbot’s English theorbo reconsidered, FoMRHI tromjesečnik, Bull. 78, 1995., 32.
– A geometrical construction for a lute profile, Lute Society Journal, vol. 15, 1973., 48.
Eichmann Ricardo, Zwei Schalen-Spiesslauten aus einer spätzeitlichen Nekropole bei Aubisir el-Meleq, Jahrbuch der Berliner Museen 29/30, 1987./1988., 7-36.
F
Farmer Henry George, The influence of music: From Arabian Sources, Proceedings of the Musical Association 53, 1925.-1926., 89-124.
– The structure of the Arabian and Persian lute in the Middle Ages, Journal of the Royal Asiatic Society, 1939., 41-51.
Frati Lodovico, Liutisti e liutai a Bologna, Rivista musicale italiana 26, 1919., 94-111.
G
Gargiulo Piero, Strumenti musicali alla corte medicea: nuovi documenti e sconosciuti inventari (1553-1609), Note d’Archivio 3 (novi stil), 1985., 55-71.
Geiringer Karl, Die Flankenwirbelinstrumente in der bildenden Kunst des 14. bis 16. Jahrhunderts, disertacija na sveučilištu u Beču, 1923., Wiener Veröffentlichungen zur Musikwisenschaft 17, reprint Tutzing, 1979.
Gonzáles Carlos, Les luths du Museu de la Mùsica de Barcelone, Musique ancienne 19, 1985., 62-77.
Grame Theodore, The symbolism of the ‘ud, Asian Music 3, 1972., 25-34.
H
Harwood Ian, A Fifteenth Century Design, Lute Society Journal 5 (kasnije od 1982. The Lute), 1960.
– The Origins of the Cambridge Lute Manuscripts, Lute Society Journal 5, 1963., 32-48.
– On the publication of Adrian Le Roy’s lute instructions, Lute Society Journal 18, 1976., 30-36.
– A Brief History of the Lute, Lute Society Journal, 1975.
Harwood Ian & Tyler James, Cittern u: The New Grove Dictionary of Musical Instruments, vol., 379-386. , objavio Stanley Sadie, London i New York, Macmillan, 1984.
Hellwig Friedemann, Lute-making in the late 15th and th 16th century, Lute Society Journal 16, 1974., 24-38.
– Lute Construction in the Renaissance and the Baroque, Galpin Society Journal 27, 1974., 21-30.
– Zur Terminologie der europäischen Zupfinstrumente – Das Vokabular in den Quellen zum historischen Lautenbau, izd. Hilleström G., u: Festschrift für Ernst Emsheimer, Musikhistorika skrifter sv. 5, Stockholm, 1974., 81 i dalje.
Hellwig Günther, Joachim Tielke, Ein Hamburger Lauten- und Violenmacher der Barockzeit, Frankfurt, 1980.
Heyde Herbert, Musikinstrumentenbau im 15.-19. Jahrhundert: Kunst-Handwerk-Entwurf. Leipzig, 1986.
– Produktionsformen und Gewerbeorganisationen im Leipziger Musikinstrumentenbau des 16. bis 18. Jahrhunderts, u: Der „schöne“ Klang, Studien zum historischen Musikinstrumentenbau in Deutschland und Japan, objavio Dieter Krickenberg, Nürnberg, 1996.
Heyde Herbert & Peter Liersch, Studien zum sächsischen Musikinstrumentenbau des 16./17. Jahrhunderts: Die Geigen-und Lautenmacher von Rendeck und Helbingsdorf, Jahrbuch Peters 2, 1979., 231-259, sadrži deset ilustracija i deset stranica sa crtežima.
Howell Stanley, Paulus Paulirinus of Prague on Musical Instruments, u: Journal of the American Musical Instruments Society 5/6, 1979.-1980., 16.
J
Jahnel Franz: Die Gitarre und ihr Bau, Frankfurt / Main, 1963. Das Musikinstrument. Poglavlje o gradnji lutnji je, prema struci, apsolutno nepovijesno, zbirka podataka i načina izrade koji ne potječu iz proučavanja muzejskih glazbala, nego iz prakse ondašnjih njemačkih graditelja gitara i autorove mašte. Ova fikcija predstavljena je u tobožnjem povijesno-znanstvenom obliku (Douglas A. Smith).
K
Kaneo Matsumoto, The Treasures of the Shôsôin. Musical Instruments, Dance Articles, Game Sets, Kyoto, 1991.
Király Peter, Some new facts about Vendelio Venere, The Lute 34, 1994. 26-31.
– Some new facts about Vendelio Venere: Errata in The Lute 1994, The Lute 35, 1995.,
– Did lutemakers just assemble their lutes?, Lute News 53, travanj, 2000., 8-9.
L
Layer Adolf, Die Allgäuer Lauten-und Geigenmacher, Augsburg, Verlag der Schwäbischen Forschungsgemeinschaft, 1978.
Le Cerf G. & E. R. Labande, Les Traités d’Henri-Arnaut de Zwolle et de divers anonymes (MS B.N. Latin 7295), Pariz, 1932., 32-34.
Lloyd L. A., The Rumanian Cobza, LSJ. Ii 13, 1960.,
Lowe M. G., Renaissance and Baroque Lutes: A false dichotomy. Observations on the lute in the seventeenth century, Proceedings of the International Lute Symposium, Utrecht, 1988.
Lundberg Robert, Sixteenth and seventeenth-century lute-making, Journal of the Lute Society of America, 7, 1974., 31-50
– Historical lute constructions: The Erlangen Lectures, American Lutherie 12, 1987. i 13-16, 1988.
– Historical lute construction: Practicum, American Lutherie 19-20, 1989; 21-24, 1990; 28, 1991; 29-31, 1992; 35-36, 1993 i 37-38, 1994. Bogato ilustrirana monografija i uputa za izradu lutnje jednog od najboljih poznavatelja izvornih glazbala. Knjiga, objavljena nakon njegove smrti, sažima i njegova predavanja za vrijeme tečajeva o izradi lutnje u Erlangenu 1978.-1988., Tacoma (Guild of American Luthiers), 2002. Vidi GAL web-stranicu: (http://www.luth.org) za daljnje informacije.
– In tune with the universe: The physics and metaphysics of Galileo’s lute, u: Music and Science in the Age of Galileo, objavio Victor A. Coelho, 211-239, Dordrecht, 1992.
Lütgendorff Willibald Leo von, Die Geigen-und Lautenmacher vom Mittelalter bis zur Gegenwart. Standardno djelo leksikonske vrste. Prva naklada: Frankfurt / Main, 1904. Reprint izdanje 5./6. naklade (Ffm., 1922.): objavio Thomas Drescher, Tutzing, 1975. i Hans Schneider, 1990.
M
Malacek Anton, Beiträge zur Geschichte der Wiener Lautenmacher im Mittelalter, Jahrbuch des Vereins für Geschichte der Stadt Wien 5/6, 1946./1947., 5-23.
Martius Klaus, Leopold Widhalm, und der Nürnberger Lauten- und Geigenbau im 18. Jahrhundert, Frankfurt, 1996.
Massip Catherine, Facteurs d’instrument et maîtres a danser parisiens au XVIIe siecle, Instrumentistes et Luthiers Parisiens XVII – XIX siecles, Pariz, bez datuma.
– La vie de musiciens de Paris au temps de Mazarin, Pariz, 1976.
N
Neubauer Eckhard, Musiker am Hof der frühen Abasiden, Frankfurt am Main, 1965.
– Der Bau der Laute und ihre Besaitung nach arabischen, persischen und türkischen Quellen des 9. bis 15. Jahrhunderts, Zeitschrift für Geschichte der arabisch-islamischen Wissenschaften 8, 1993., 279-378.
Nurse Ray, Design and structural development of the lute in the Renaissance, u: Procedings of the International Lute Symposium Utrecht 1986, objavili Louis Peter Grijp i Willem Mook, 101-112, Utrecht, 1988.
O
Ongaro Giulio, The Tieffenbruckers and the Business of Lute-makig in Sixteenth-century Venice, Galpin Society Journal 44, 1991., 46-54.
P
Page Christopher, The 15th-century lute: new and neglected sources, Early Music 9, 1981., 16.
Pasqual Sandro, Laux Maler (c. 1485-1552), Lute News 51, rujan 1999., 5-15.
Pasqual Sandro & Ragazzi Roberto, Le radici del successo della liuteria a Bologna, Bologna, Florenus Edizioni, 1998., sadrži nekoliko skraćenih engleskih prijevoda.
Paulus Paulirinus, Liber viginti atrium, vidi: Stanley Howell, Paulus Paulirinus of Prague on Musical Instruments, u: Journal of the American Musical Instruments Society 5/6, 1979.-1980., 16.
Peruffo Mimmo, New hypothesis on the construction of bass strings for lutes and other gutstrung instruments, FoMRHI Bull. 62, 1991., 22.
Picken Laurence, The origin of the short lute, Galpin Society Journal 8, 1955., 32-42.
Polato Pier Luigi, Liutai veneziani nei secoli XVI, XVII e XVIII: ricerca documentaria nell’ Archivo di Stato di Venezia, Il flauto dolce 12, travanj 1985., 6-15.
Prynne Michael, The Old Bologna Lute-makers, u: Lute Society Journal 5, 1963.
R
Remnant Mary & Richard Marks, A Medieval ‘Gittern’, u: Music and Civilisation, objavio T. C. Mitchell, London, 1980.
Reynaud François, Les luthiers tolédans au XVIe siècle, u: Tolède et l’expansion urbaine en Espagne (1450-1650), Madrid, 1991., 39-48,
Romanillos José, The vihuela makers of Toledo, 1617, American Lutherie 32, 1992., 48-51.
S
Sach Curt, Handbuch der Musikinstrumentenkunde, Leipzig, 1920.
Sayce Lynda, Continuo lutes in 17th and 18th-century England, Early Music xxiii/4, studeni, 1995., 666.
Segerman Ephraim., The size of the English 12-course lute, FoMRHI Bull. 92, 1998., 31.
Smith Douglas Alton, On the Origin of the Chitarrone, Journal of the American Musicological Society 32, 1979., 440-462.
– The Musical Instrument Inventory of Raymund Fugger, Galpin Society Journal 33, 1980., 33-44.
– Engleski prijevod pravilnika ceha graditelja lutnji grada Füssena iz 1562. godine i Smithova recenzija Bletschacherove knjige Die Lauten-und Geigenmacher i Layerove Die Allgäuer Lauten-und Geigenmacher, Journal of the Lute Society of America 13, 1980., 87-92.
Söhne Gerhard, On the geometry of the lute, Journal of the Lute Society of America 13, 1980., 35-54. Kasnija verzija u: Lute design and the art of proportion, i popis Marka Lindleya, Lutes, viols and temperaments, Cambridge, CUP, 1984., 109-121. Vidi također njemački izvornik Zur Geometrie der Laute, u časopisu Gitarre & Laute 5, 1980, 14-23. Francuski prijevod u: Music Ancienne 14, lipanj 1982., 5-18.
T
Toffolo Stefano, The corporation of lute-makers in Venice: Historical aspects, The Lute 23/2, 1983., 29-32.
– Antichi Strumenti Veneziani, 1500 – 1800: Quattro Secoli di Liuteria e Cembalaria Venecija, 1987.
Toffolo Stefano & Maria Pia Pedani, Una famiglia di liutai tedeschi a Venezia: I Tiefenbrucker, Il Fronimo 51, 1985., 56-62.
Turnbull Harvey, The origin of the long-necked lute, Galpin Society Journal 25, 1972., 58-66.
Turrentine Herbert C., Gaspard Duifoprugcar and Pierre II Woeiriot de Bouzey: A visual reflection of music instrument construction in sixteenth-century Lyons, Discoveries: South-Central Renaissance Conference News and Notes 15/1, 1998., 3-4, 13-14.
W
Wells Robin Headlam, Number symbolism in the renaissance lute rose, Early Music 9, 1981., 32-42.
Winternitz Emanuel, Musical Instruments and their Symbolism in Western Art, New York, 1967.
Witten Laurence C. II., Apollo, Orpheus, and David, Journal of the American Musical Instrument Society 1, 1975., 5-55.
Wright Laurence, The Medieval Gittern and Citole: A Case of Mistaken Identity, Galpin Society Journal 30, 1977., 8-42.